A Quote by Claire Danes
As a young performer, I didn't know that you can have a great time playing someone in terrible crisis. The more you know it's not real, the deeper you can go into it. And the easier it is to let it go when it's done.
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Like every New Yorker, I know this place is magic. I know this place is amazing. I know that we have come back time and time again from a great recession, from high crime rates, from 9/11, from crisis after crisis.
If you go to Jamaica, you're going to these all-inclusive resorts where they're playing calypso and a bit of reggae or whatever. But if you go to Kingston, it's run-and-gun battles in the streets, it's abject poverty, it's incredible violence - and then also the best parties in the world. But if you're white, you can't really go. I'd rather know the real deal than be playing in the sand.
When you are active, and you must know this so well, that the more you are active, the more you see, the more you go to see. You know, you are curious. One thing leads to another thing, and it gets deeper and deeper, too. And there's no end to it.
I chased money, pretended to be someone else to get it. It got easier the longer I did it... but that's the trap, see? When the deadness gets easier, you know you're sinking deeper, becoming dead yourself.
I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
I'd rather go with someone who wasn't a great speaker, but was a great chef, rather than someone who was a great performer, but maybe not a great cook.
Sometimes it's easier to make decisions when you know that you've tried things that are so wrong, you know, "OK, I don't go that way with it. I don't go this way with it." The way I work, I kind of have to go down all those wrong paths to know that the one I'm doing really is the one that is going to work.
In many ways, playing a real person is slightly easier because you have a road map. When you're playing someone fictitious, there's myriad ways in. With a real person, there's boundaries, and that sometimes makes the work easier.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
Do you know that people fall in love in war and go to school and go to factories and hospitals and get divorced and go dancing and go playing and live life?
I took more anti-inflammatories probably than anybody in my 20 years of playing and I know what that terrible stomach pain can be. I also know what terrible menstruation cramps can be, as most women tennis players have, to the point where you feel nauseous, but you just play on.
People worry about their looks going, but go deeper, and you realise you know yourself more and you're more comfortable in your own skin and more settled within yourself, and that's a really great basis on which to live your life.
Our team security said, even if you go to a supermarket, have someone with you. So everywhere I go - grocery shopping, practice, go to games, go to plays - I always have someone with me because you never know, a lone wolf, one of the crazy Erdogan supporters will do something.
My general philosophy of playing bad guys, which I've sort of done, you know, half the time is, you know, very few people who we view as bad guys get out of bed and think, 'What evil, terrible thing am I going to do today?' Most people see their motivations as justified - as, you know, justifying whatever they do.
To say that you have to carry to term and look after a child for the rest of your life is to say I force you, legally, to love someone. It's like saying, you know, you have to go and love another - you have to go - you know, you have to go marry someone. It's like an arranged marriage.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
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