A Quote by Claire Forlani

I play Hopkins' daughter. Brad Pitt plays Death. He's a very-good looking Death. With him, dying isn't so bad. — © Claire Forlani
I play Hopkins' daughter. Brad Pitt plays Death. He's a very-good looking Death. With him, dying isn't so bad.
Brad Pitt is so good-looking there's a lightbulb inside of him shooting good-looking-ness in all directions.
I want to have my face look like Brad Pitt. Then I'll be with Jennifer Aniston and then Angelina Jolie. Then the real Brad Pitt will come in, and we'll have a Brad Pitt face-off.
No matter what heights you achieve, even if you're Brad Pitt, the slide is coming, sure as death and taxes.
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
I think actual death will be a lot easier than dying on stage. Cause - you know - if you do [actual death] right, you can go looking good. Maybe with a little quip [like]: 'I loved everybody.' But dying on stage...Oh, God!
Death is my son-in-law. Death is my heir. My daughter he hath wedded. I will die, And leave him all. Life, living, all is Death’s.
Brad Pitt is amazingly talented and equally good-looking, too.
A friend of mine is a chef in Bali, and another friend said, 'God, he's like Brad Pitt,' and I said, 'Yeah, I think he's more like arm Pitt,' 'cause, you know, 'Brad Pitt' would be a bit of an overstatement.
Whether it's Brad Pitt up there, if there's a good moment up there, and you get pulled into the emotion, you're not thinking, 'Oh, that's Brad Pitt. He's an actor, and he's famous.' That's kind of the nature of storytelling, right? You sit around the fire and tell a story, and you can get sucked into that story.
I'm a fan of Tom Cruise, Brad Pitt, and all these people. If I could end up like Jonah Hill, winding up in a Brad Pitt movie, that would be awesome.
I'm clearly not Brad Pitt, and I'm never going to be Brad Pitt.
I don't want to be compared to Brad Pitt because I don't want to, you know, disappoint anybody. Brad Pitt is an icon.
Brad Pitt is great fun. He jokes around all the time and has a real quality about him. On set the director called me over and said, 'Jase, just watch him. Watch him move.' Instead of walking, Brad literally glides. It's incredible.
When one existentially awakens from within, the relation of birth-and-death is not seen as a sequential change from the former to the latter. Rather, living as it is, is no more than dying, and at the same time there is no living separate from dying. This means that life itself is death and death itself is life. That is, we do not shift sequentially from birth to death, but undergo living-dying in each and every moment.
But we are not interested in death at all: rather, we escape the facts, we are continuously escaping the facts. Death is there, and every moment we are dying. Death is not something far away, it is here and now: we are dying. But while we are dying we go on being concerned about life. This concern with life, this over concern with life, is just an escape, just a fear. Death is there, deep inside - growing.
I'd like to take more pictures of real celebrities. It would be fabulous to photograph Brad Pitt. He's so good-looking and just such a star.
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