A Quote by Claire Foy

There is no first-hand account of what the Queen was saying or thinking, so my job as an actor is to interpret her circumstances. — © Claire Foy
There is no first-hand account of what the Queen was saying or thinking, so my job as an actor is to interpret her circumstances.
Miss Wynter, I think you should be the evil queen,” Harriet said. “There’s an evil queen?” Daniel echoed. With obvious delight. “Of course,” Harriet replied. “Every good play has an evil queen.” Frances actually raised her hand. “And a un—” “Don’t say it,” Elizabeth growled. Frances crossed her eyes, put her knife to her forehead in an approximation of a horn, and neighed.
The queen, I say, is the mother bee; it is undoubtedly complimenting her to call her a queen and invest her with regal authority, yet she is a superb creature and looks every inch a queen.
I'm an actor and my job is to interpret.
I can remember being at Sandringham, for the first time, at Christmas. And I was worried what to give the Queen as her Christmas present. I was thinking, 'Gosh, what should I give her?'. I thought, 'I'll make her something.' Which could have gone horribly wrong. But I decided to make my granny's recipe of chutney.
To change your circumstances, first start thinking differently. Do not passively accept unsatisfactory circumstances, but form a picture in your mind of circumstances as they should be. Believe and succeed.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
Then she fell on her knees, saying: 'I beg thee!' 'Nay, lady,' he said, and taking her by the hand he raised her. The he kissed her hand, and sprang into the saddle, and rode away, and did not look back; and only those who knew him well and were near to him saw the pain that he bore.
As a director, my job is to spend money, and the producer's is to save money. Masoom, Bandit Queen and the first Queen Elizabeth have been my most uncompromised films.
And she arose from her deathbed in a gossamer gown, with eyes the color of starlight and hair as black as the night. And those who were her captors trembled, for the scent of death and madness emanated from her soul, and yet she was not dead. She moved like the spiders that creep in the treetops, and none could look away. Taking her first captor in hand, she fed deep and ravenous. And so it was that Myst, Queen of the Indigo Court, was born from the blood of the dead.
Today is indeed an historic occasion when as a first chair-in-office woman I hand over to another woman chair in office, your Prime Minister, Julia Gillard, in the presence of a woman head of the Commonwealth, Her Royal Highness, Her Majesty the Queen of England.
Jacks stood beside her. Instead of saying anything, she felt his fingers trace up her palm and then lace into hers. He had taken her hand before, quickly and for functional reasons—usually to drag her off to someplace she didn’t want to go—but he had never held her hand. Not the way couples did in parks or lovers did in old movies. Maddy stood there and felt the heat of his grip. It made her think of that first night in the diner, when they had talked about pretend memories and she had felt so connected to him.
"She can't do sums a bit!" the Queens said together, with great emphasis. "Can you do sums?" Alice said, turning suddenly on the White Queen, for she didn't like being found fault with so much. The Queen gasped and shut her eyes. "I can do Addition, if you give me time-but I can do Subtraction, under any circumstances!"
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
But as for Lucy, she was always gay and golden-haired, and all princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.
Part a of scene from 'Bitterblue' between Madlen (Bitterblue's medicine woman) and Bitterblue: Madlen came to sit beside her [Bitterblue] on the bed. "Lady Queen," she said with her own particular brand of rough gentleness. "It is not the job of the child to protect her mother. It's the mother's job to protect the child. By allowing your mother to protect you, you gave her a gift. Do you understand me?
The skill of a gifted actor, their ability to interpret and develop a character and truly bring her or him to life, is one that I admire enormously.
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