A Quote by Claire Messud

If you're reading to find friends, you're in deep trouble. — © Claire Messud
If you're reading to find friends, you're in deep trouble.
If you’re reading to find friends, you’re in deep trouble.
If you’re reading to find friends, you’re in deep trouble. We read to find life, in all its possibilities. The relevant question isn’t ‘Is this a potential friend for me?’ but ‘Is this character alive?'
The same plasticity that allows us to form a reading circuit to begin with, and short-circuit the development of deep reading if we allow it, also allows us to learn how to duplicate deep reading in a new environment. We cannot go backwards. As children move more toward an immersion in digital media, we have to figure out ways to read deeply there.
All that matters in life is forging deep ties of love and family and friends. Writing and reading come later.
About 15 years ago I went though a period of a year or so when I just couldn't find anything good. My wife noticed I was having trouble reading menus. I bought some cheap reading glasses in a drug store. I got home and suddenly all these books that weren't good were good.
People are like almanacs, Bonnie - you never can find the information you're looking for, but the casual reading is well worth the trouble.
I have a group of friends in my life, and we all give each other something different. I've known my two closest friends for many years. One is a friend from high school, and the other I met right after college. My deep, deep friends remind me every day of the good parts of my personality.
I want to see young people in America feel the spirit of the 1960s and find a way to get in the way. To find a way to get in trouble. Good trouble, necessary trouble.
The deep-read is when you get gut-hooked and dragged overboard down and down through the maze of print and find, to your amazement, you can breathe down there after all and there’s a whole other world. I’m talking about the kind of reading when you realize that books are indeed interactive. . . . I’m talking about the kind of deep-read where it isn’t just the plot or the characters that matter, but the words and the way they fit together and the meandering evanescent thoughts you think between the lines: the kind of reading where you are fleetingly aware of your own mind at work.
Deep, deep trouble. Can't rival the dead for love. Lose every time.
But, in the end, the books that surround me are the books that made me, through my reading (and misreading) of them; they fall in piles on my desk, they stack behind me on my shelves, they surprise me every time I look for one and find ten more I had forgotten about. I love their covers, their weight and their substance. And like the child I was, with the key to the world that reading gave me, it is still exciting for me to find a new book, open it at the first page and plunge in, head first, heart deep.
Writing has always allowed me to escape. I was a very lonely child. Because I was very socially awkward, I would always have trouble making friends. And so reading and writing allowed me to have friends and to have an active imaginary life that really sort of kept me sane.
Perhaps the relevant truth is that we all find ourselves in temporal currents and that unless you're paying attention you'll discover, often too late, that an undertow of weeks or of years has pulled you deep into trouble.
Any woman who has a great deal to offer the world is in trouble. And if she's a black woman, seh's in deep trouble.
I want children to learn to develop deep reading skills in the beginning in print. I believe the physicality of print is much better in the beginning for children, and then help them learn how to use their deep reading skills on digital medium.
I have a lot of trouble with scripts. I have a lot of trouble imagining things while I'm reading them.
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