A Quote by Claire Messud
A painting lets us know how somebody literally saw things. A piece of music is another language that transmits a whole wealth of emotion and wordless experience. But writing is special in the way at allows us to temporarily enter another person's world, to step outside the boundaries of our own time and space.
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Part of what my work has always been about is to show that the apocalyptic character of the gospel makes the everyday possible. It gives us the time that lets us care for one another as we are ill, helps us care for one another as we experience broken relationships, and helps us take the time to worship God in a world of such violence.
Successful leaders develop effective strategies for maintaining their boundaries. ... Most time bandits don't know any better. And being a time bandit is a matter of context. One person's time bandit is another person's pleasant diversion. ... Instead of gritting our teeth to be polite and resenting the time bandit for holding us up, the best choice is to be honest. We cannot expect another person to honor our needs unless we affirm them ourselves.
Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.
Language and written language are the only real way we have to see inside another person's thoughts and to know what makes another person human. Without writing, we just wouldn't have that kind of access.
We created the spirituals. We created so much great music, jazz chief amongst our innovations, teaching us how to prize ourselves and how to speak to one another, that our kids don't know that achievement, there's no way in the world that could be good for us.
The way of being with another person which is termed empathic...means temporarily living in their life, moving abut in it delicately without making judgment... to be with another in this way means that for the time being you lay aside the views and values you hold for yourself in order to enter the other's world without prejudice...a complex, demanding, strong yet subtle and gentle way of being.
We live in a box of space and time. Movies are windows in its walls. They allow us to enter other minds, not simply in the sense of identifying with the characters, although that is an important part of it, but by seeing the world as another person sees it.
There is something about music that keeps its distance even at the moment that it engulfs us. It is at the same time outside and away from us and inside and part of us. In one sense it dwarfs us, and in another we master it. We are led on and on, and yet in some strange way we never lose control.
Every time another tribe becomes extinct and their language dies, another way of life and another way of understanding the world disappears forever. Even if it has been painstakingly studied and recorded, a language without a people to speak - it means little. A language can only live if its people live, and if today's uncontacted tribes are to have a future, we must respect their right to choose their own way of life.
When we sit, we open our own treasure house. Rather than do this, however, most of us first seek to find the treasures another person can provide. We calculate their value to us. When we approach relationships in this manner, we are coming as beggars, seeing the other as a source of supply. When we can enter a relationship with our treasure house already open, there is no end to the wonders we can find, both within and between ourselves and another.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
If we have not struggled/as hard as we can/at our strongest/how will we sense/the shape of our losses/or know what sustains/us longest or name/what change costs us,/saying how strange/it is that one sector/of the self can step in/for another in trouble,/how loss activates/a latent double, how/we can feed/as upon nectar/upon need?
Each language has its own take on the world. That's why a translation can never be absolutely exact, and therefore, when you enter another language and speak with its speakers, you become a slightly different person; you learn a different sort of world.
In order to understand, it is immensely important for the person who understands to be located outside the object of his or her creative understanding—in time, in space, in culture. For one cannot even really see one's own exterior and comprehend it as a whole, and no mirrors or photographs can help; our real exterior can be seen and understood only by other people, because they are located outside us in space, and because they are others.
Our stories affect one another whether we know it or not. Sometimes obedience isn't for us at all, but for another. We don't know how God holds the kingdom in balance or why he moves a chess piece at a crucial time; we might never see the results of his sovereignty [...] I might just be one shade of one color of one strand, but I'm a part of an elaborate tapestry that goes beyond my perception.
Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.
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