A Quote by Claire Saffitz
Can you braid three strands? Then you can make babkallah. The very idea of babkallah came about because the recipe avoids the complicating twisting technique that gives babka its signature swirl.
Related Quotes
It is not a good idea, either, to attach material such as Krystal Flash or Flashabou, then trim all strands at one spot. This gives most of the reflectiveness at one location - where the strands were severed. Instead, clip off the strands at different lengths along the entire body - that way you'll see little sparkles of light throughout the pattern
Serve as a sweet brunch treat or with tea in the afternoon. No one would turn it down as dessert after a big holiday meal, either. You'll find there's no bad time for babkallah.
I brought babkallah to a party and people freaked. They hovered over like it was a newborn baby, oo-ing and ah-ing. Its beauty didn't prevent them, however, from devouring the entire thing within minutes. It makes a lovely hostess gift, as it's both novel and delicious.
You could make a very focused exploration game, that was about player creativity and exploration. But then it wouldn't have these very meticulous scientific kinds of puzzles in it, that Braid has. And so, it was just about picking something and understanding what it was that was chosen, and sticking to it, ruthlessly.
Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it's super-sized because there's no bodily damper on it.
I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light.
For most of Western civilization there was no real division between the realms of science, divinity, and artistic endeavor - they were just three strands of the same braid, all of them pulling toward the same beautiful desire: to try to understand the workings of this curious and beautiful world. There were many people who would have called themselves all three things at once: men of god, men of science, men of the arts.
Sometimes it's good to not be able to buy everything, because then it gives you something to look forward to. That's why you shouldn't give kids too much - then they have nothing to look forward to. It's a recipe for disaster. What if you have a daughter and you give her everything and then she marries someone who can't give her everything? A recipe for disaster.
I think my signature dance move might be some sort of '80s new wave pogo, which I only break out on very special occasions. It will only last for about three seconds. Then I go back to a very subtle, less-is-more approach.
Everything that I have is natural - braid, nails - I practically never use cosmetics. They often ask me in the provinces about my braid.
I was the strongest during my career, and that helped me a lot, definitely in the beginning, when I needed to race against riders who were much older than me and had the power and the experience. I could beat them with my technique. At a certain moment I not only had the technique but then the power came and the experience, and then you are on the best level that you ever can reach. But then the explosivity starts to go down, you're more afraid, and the technique goes down a bit. But it's OK, because it never goes completely down.
For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
Often, problems are knots with many strands, and looking at those strands can make a problem seem different.
Long strands of drool stretched from between his fangs and dripped on the pavement, sending a heady scent of jasmine to swirl through the air. Perfumed monster spit. What was the world coming to?
Think about what you like and then think about why - was it the shape? The hem length? And then repeat over and over until you find your signature style. And if you ever get sick of your signature style... change it! That's the beauty of fashion.
Related Authors
Andre Leon Talley Quotes
American
Editor
Anna Wintour Quotes
English
Editor
Bari Weiss Quotes
American
Editor
Carine Roitfeld Quotes
French
Editor
Denis Diderot Quotes
French
Editor
Diana Vreeland Quotes
American
Editor
George Horace Lorimer Quotes
American
Editor
George Jean Nathan Quotes
American
Editor
Heather Mac Donald Quotes
American
Editor
Joanna Coles Quotes
American
Editor
Jon Meacham Quotes
American
Editor
Kevin Kelly Quotes
American
Editor
Lewis H. Lapham Quotes
American
Editor
Susan L. Taylor Quotes
American
Editor
Thelma Schoonmaker Quotes
Algerian
Editor
Tina Brown Quotes
American
Editor