A Quote by Claire Saffitz
Generally, if you're a baker who's still learning the ropes, substitutions can be risky. It's always best to make a recipe the first time as written, and only after that initial success should you make substitutions.
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If you understand football you make substitutions during the game, if you don't you make comments after it.
Cross Country: No half times, no time outs, no substitutions. It must be the only true sport.
Players only understand substitutions when they become managers.
It's not harder to make a couple extra substitutions. That's not hard. You get different things when you make changes, you gain things and you lose things. But overall, if you gain things, that's why you play extra guys.
After the initial critical learning period of youth is over, the areas of the brain that need to be 'turned on' to allow enhanced, long lasting learning can only be activated when something important, surprising, or novel occurs, or if we make the effort to pay close attention.
To manage is to decide the team, the substitutions, and everything until the end.
The true end of education is not only to make the young learned, but to make them love learning; not only to make them industrious, but to make them love industry; not only to make them virtuous, but to make them love virtue; not only to make them just, but to make them hunger and thirst after justice.
We always try to make the very best movie when we're working on and we can only think one at a time. We want to make this a perfect jewel, and then we'll see what happens after that.
If you don't have the confidence in baking, commit to making the recipe three times. The first two, do it exactly the way I've told you to make it. Twice. The first time you'll screw it up. The second time it will come out pretty good, and then the third time, make your adjustments.
RZA helped me make my first beat, and he rhymed over it, and that made the 'Babylon A.D.' soundtrack. That first track was very raw and unmixable, but it's so anthemic. After that, I started learning how to make tracks. It was a process, but once you stop learning you're dead.
Many companies forget what it means to make great products. After initial success, sales and marketing people take over and the product people eventually make their way out.
After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
In the entrepreneurial world, when you launch a company, you have a particular idea, a particular product, a particular service, almost always you pivot, you shift. The market reacts to your initial idea. You make some adjustments. It's only after making a few adjustments that you see the success.
Be passionate and bold. Always keep learning. You stop doing useful things if you don't learn. So the last part to me is the key, especially if you have had some initial success. It becomes even more critical that you have the learning 'bit' always switched on.
Sometimes it is not wise to make a second plan; it diminishes the power of the first plan! In risky paths, make only one plan; this will increase the possibility of success! On the edge of a precipice, if your second plan is a parachute on your back, your possibility of falling will increase! When you have nothing to trust, you will be safer, because you have no right to make any mistake!
With my quick success, I didn't have time to learn the ropes of the music business. Because my first record was such a hit, I was terribly spoiled and I thought I couldn't do anything wrong. I was also desperate to make tons of money because of my responsibility to my daughter. And there was no longer any joy in making music.
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