A Quote by Claire Tomalin

The young Dickens was so alive, so self-confident, so funny. — © Claire Tomalin
The young Dickens was so alive, so self-confident, so funny.
People are funny in like young adulthood, just like how people's musical tastes are cool, but it changes very rapidly. In five or ten years, I'll probably still be confident about what's funny but it probably won't be funny anymore.
Of Dickens' style it is impossible to speak in praise. It is jerky, ungrammatical, and created by himself in defiance of rules... No young novelist should ever dare to imitate the style of Dickens.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
Dickens's final book, 'The Mystery of Edwin Drood,' forms the jumping-off point for my new novel, 'The Last Dickens'. This last work by Dickens has very little social commentary and a pretty tightly efficient storyline and cast of characters. Not necessarily what we think of when we think what characterizes Dickens.
I'm reading Barnaby Rudge, one of the less well-known Dickens novels. I've been a life-long lover of Charles Dickens ever since I think A Tale of Two Cities was the first Dickens novel I read.
It does not matter that Dickens' world is not life-like; it is alive.
Power doesn't have to show off. Power is confident, self-assuring, self-starting and self-stopping, self-warming and self-justifying. When you have it, you know it.
All Dickens's humour couldn't save Dickens, save him from his overcrowded life, its sordid and neurotic central tragedy and its premature collapse. But Dickens's humour, and all such humour, has saved or at least greatly served the world.
We are herding the young in that direction so that they are not sitting still and contemplating, Goddamn it, a page of exquisite prose by Charles Dickens, which is filled with rage about poverty and the need of a household to survive. That's not in the table for consideration now. And people don't understand that beautiful rage of Dickens because they don't share it. They haven't got time to worry about an oppressed culture, a subclass.
When we die to something, something comes alive within us. If we die to self, charity comes alive; if we die to pride, service comes alive; if we die to lust, reverence for personality comes alive; if we die to anger, love comes alive.
I really like writing heroes who aren't necessarily 'Hollywood handsome.' Personally, I think men who are self-confident, intelligent, and funny are outrageously attractive - and my heroines tend to think that, too!
It doesn't inspire young men and women struggling with their own sexuality to be confident in who they are if I'm not confident in who I am.
...Emma Morley wasn't such a paragon either: pretentious, petulant, lazy, speechifying, judgmental. Self-pitying, self righteous, self-important, all the selfs except self-confident, the quality that she had always needed the most.
I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.
The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.
I really like writing heroes who arent necessarily Hollywood handsome. Personally, I think men who are self-confident, intelligent, and funny are outrageously attractive - and my heroines tend to think that, too!
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