A Quote by Claire Tomalin

As a young man, Dickens worked as a reporter in the House of Commons and hated it. He felt that all politicians spoke with the same voice. — © Claire Tomalin
As a young man, Dickens worked as a reporter in the House of Commons and hated it. He felt that all politicians spoke with the same voice.
Everyone finds their own version of Charles Dickens. The child-victim, the irrepressibly ambitious young man, the reporter, the demonic worker, the tireless walker. The radical, the protector of orphans, helper of the needy, man of good works, the republican. The hater and the lover of America. The giver of parties, the magician, the traveler.
Given my calling I had to stumble across people who felt the same way. I was a young reporter.
I am proud our government has passed a law that ensures priority hiring of Veterans, as I advocated for this, and spoke about it in the House of Commons.
'Animal House' was sort of the first real, contemporary, youthful voice of the baby boom generation. It spoke to that audience, and it spoke to that part of me which was saying, 'Out with the old, in with the new.'
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
Home is the center of my being where I can hear the voice that says: 'You are my Beloved, on you my favor rests' - the same voice that gave life to the first Adam and spoke to Jesus, the second Adam; the same voice that speaks to all the children of God and sets them free to live in the midst of a dark world while remaining in the light.
It was difficult to find my way into 'I Am Abraham,' to feel confident enough to inhabit Lincoln's persona. I began with a prologue in a neutral voice, wrote of Lincoln at the White House with a sly young reporter quizzing him about his humble origins.
I hated being "Mrs." from the first second each time. I didn't know why. All I knew was how uncomfortable it felt. I hated being one half of a couple, without understanding that it wasn't the husband or the man I hated, it was situation, the identity.
I have always been a House of Commons man.
Women have worked hard; starved in prison; given of their time and lives that we might sit in the House of Commons and take part in the legislating of this country.
I have never pretended to be a great House of Commons man, but I pay the House the greatest compliment I can by saying that, from first to last, I never stopped fearing it.
No man is regular in his attendance at the House of Commons until he is married.
My mom grew up in extreme poverty, and always spoke of it with a look of disgust. She felt pressured to fit in, and felt shame about her house, clothes, and general appearance.
A man may speak very well in the House of Commons, and fail very completely in the House of Lords. There are two distinct styles requisite: I intend, in the course of my career, if I have time, to give a specimen of both.
Man, I hated not being able to figure someone out. And from the slightly uncertain look he gave me as we all went to class, I suspected he felt the same way.
I wrote the Dickens book because I loved Dickens, not because I felt a kinship with him, but after writing the book it seemed to me that there was at least one similarity between us and that was that Dickens loved to write and wrote with the ease and conviction of breathing. Me, too.
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