A Quote by Clairo

I'm still writing from personal experiences, which is what people connected with in the first place. — © Clairo
I'm still writing from personal experiences, which is what people connected with in the first place.
My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.
A lot of my writing is basically about observation, and things that I've seen, either through personal experiences or the experiences of people around me, or society at large.
I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.
When I'm depressed is when I'm not interested in writing anything, whereas some people, I think, are spurred to creativity through their personal experiences and through depression. And for me, it's a very low place, and it's not fruitful.
I don't let a poem go into the world unless I feel that I've transformed the experience in some way. Even poems I've written in the past that appear very personal often are fictions of the personal, which nevertheless reveal concerns of mine. I've always thought of my first-person speaker as an amalgam of selves, maybe of other people's experiences as well.
FAQ regarding my book were not about my use of commas or how the images went berserk, but about the political situation in Bosnia, about guilt and shame, about victims and perpetrators, about reasons, arguments and beliefs that led to the conflict in the first place, etc. All of this needed and still needs answering and ongoing discussions, but I mostly felt overwhelmed and unqualified to articulate anything worth more than personal experiences of the siege, of fear and refuge - all the things which I wrote about anyway.
My writing process is a mix of research, personal experiences, washing the dishes, raising kids while thinking - then writing.
Writing a novel is like an amusement park or a museum or a city. You go into that place and you have certain experiences and those experiences, hopefully, have some impact on you.
Tokyo - still - offers the most tightly integrated infrastructure, where smooth, technology-driven experiences take place when engaging in everyday actions, such as verifying personal identity, paying for goods, and buying tickets.
I've spent most of my life writing and developing everything that I've wanted to be in - which is why I started writing in the first place.
My first album is a lot of my personal experiences. I wanted people to relate to what I've been through.
In writing, one searches, and that is what keeps one writing, that one sees and experiences things from another angle entirely; one experiences oneself during the process of writing.
For a lot of artists in the entertainment industry, we can't become too jaded with what's going on with our personal lives and still not be connected with our people.
The future is, of course, imaginary - an unreal place that I create from my expectations, which are made from my remembered experiences, especially repeated experiences.
Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.
National identity is something that's directly connected to our personal experiences and the decisions we make, the roads we decide to take at certain points in our life.
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