A Quote by Clara Barton

Others are writing my biography, and let it rest as they elect to make it. I have lived my life, well and ill, always less well than I wanted it to be but it is, as it is, and as it has been; so small a thing, to have had so much about it!
I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
Even when I was Miss World, I did all the dressing up I could, so the pretty face thing was done. But it was never about just looking pretty with the crown, I always wanted to make it more than that - I wanted to make it about beauty with a purpose. So I carried that into my films as well.
I had been right I was still right I was always right. I had lived my life one way and I could just as well lived it another. I had done this and I hadn t done that. I hadn t done this thing and I had done another. And so?
Is it strange for me to say that if I were to die today, there’s not a thing I would change? I’ve lived well. Maybe I have made mistakes and been through my fair share of pain but all in all, it’s been okay. I’ve lived well.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
If you can be a good role model for people, well, great. You try and live your sporting life and the rest of your life as well as you can, and if it's something that people admire, well, fantastic. I don't sit at home and think about it too much, though - there's plenty of other things in my life going on.
Okay, here is the uplifting part: Your life isn't and has never been about you....about what you accomplish, how successful you are or are not, how much money you make, what sort of position you ascend to,...or how much good you do for others or the world at large. Your life, like mine, and like everyone else's has always been about one thing: love.
The imaginative leap for me of writing for women is no more difficult than the one of writing for men. I've always wanted to have women well represented in the work that I've done because I've always been around them and around the way they look at the world.
Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.
Music has always moved me really deeply, and it's always been more about that than about the desire to rebel or annoy people (although, I've had my moments of that as well). I think it was just years of maybe moving slightly away from it but always coming back to it as the thing that I'm best at.
I have loved my work, I have loved people and my play, but always I have been uplifted by the thought that what I have done well will live long and justify my life, that what I have done ill or never finished can now be handed on to others for endless days to be finished, perhaps better than I could have done.
It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."
I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
Rest, brother, rest. Have you done ill or well Rest, rest, There is no God, no gods who dwell Crowned with avenging righteousness on high Nor frowning ministers of their hate in hell.
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