A Quote by Clare Boothe Luce

I can't avoid writing. It's a sort of nervous tic I have developed since I gave up needlepoint. — © Clare Boothe Luce
I can't avoid writing. It's a sort of nervous tic I have developed since I gave up needlepoint.
Sometimes it's even hard to tell the difference between a tic and a compulsion. But while tics stem from an urge in a specific part of the body - either completely unconsciously or through a premonitory sensation that's satisfied only by the tic - OCD bubbles up as conscious thoughts in the mind.
The people gave their money and they gave their screams, but the Beatles gave their nervous systems, which is a much more difficult thing to give.
There was a long stint during my childhood after I gave up on being a pro football player - we're talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.
There was a long stint during my childhood after I gave up on being a pro football player - were talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.
If someone puts up the argument that King Louis gave the Romagna to Pope Alexander, and the kingdom of Naples to Spain, in order to avoid a war, I would answer as I did before: that you should never let things get out of hand in order to avoid war. You don't avoid such a war, you merely postpone it, to your own disadvantage.
Avoid needlepoint tweezers as you can easily injure yourself. And very square tweezers can shear the hair versus plucking it out from the root, causing the appearance of an ingrown.
The only one that's appeared in my dreams is the one from Aliens. H.R. Giger's version of that Necronom was almost like a tic. It's reptilian. That creature is like a baby and tic combined. It's very frightening. It scared the hell out of me, it really did.
They gave their money, and they gave their screams. But the Beatles kind of gave their nervous systems. They used us as an excuse to go mad, the world did, and then blamed it on us.
I started writing songs in high school and always wanted to have a band, and eventually my creative endeavors developed into Theocracy. So in some ways, you could say the vision has been there since I started writing songs.
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
Americans born since World War II have grown up in a media-saturated environment. From childhood, we have developed a sort of advertising literacy, which combines appreciation for technique with skepticism about motives. We respond to ads with at least as much rhetorical intelligence as we apply to any other form of persuasion.
I'm so nervous. I've always been nervous, ever since I was a kid.
I can't accept "our nervous age," since mankind has been nervous during every age. Whoever fears nervousness should turn into a sturgeon or smelt; if a sturgeon makes a stupid mistake, it can only be one: to end up on a hook, and then in a pan in a pastry shell.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
I used to be really nervous when I sang. Like, when I was a kid starting young, 18 and 19, and my dad really had to sort of push me to start singing in front of people. Ever since I got out there and really started doing it, the only thing I've ever tried to do is just sort of is be myself, you know, never put on a voice. Sing naturally.
Since 1988, I have been writing steadily. I did decide a couple of years or so ago to scale back to writing one book a year - a sort of semi-retirement. But I never did have much success with that plan!
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