A Quote by Clare-Hope Ashitey
I'm very instinctive when I choose my roles, and usually, the number one thing has to be the director.
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I choose movies, I never choose roles. I look at the script. I look at the director. I look at the other actors - and then the role.
We are in an industry where, unfortunately, there is very limited scope for female-oriented roles. If we don't have options, how can we pick and choose roles?
I've worked with Andre Techine lately and with a young unknown director on a short film. I choose my roles carefully.
I do get offered a lot more roles than I choose to do. I'm very busy as a producer and a writer, especially with my Internet stuff, and I tend to only accept the roles that I know will have an impact and has a fanbase.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
I can't always pick and choose, but I try very hard to take the roles where they are a bit more human. Sometimes there's a hilarious thing that comes along and it might not be the most interesting character, but I'm just delighted to be able to do something.
I feel lucky that I always have a number of films to choose from. I would like to come out of my comfort zone while doing various roles, and I don't want to keep repeating my characters.
I want to try and be instinctive as a writer and director.
There are some roles that are a no-brainer. You just have a sure, instinctive 'Yes!'
I really want to do roles that have some substance, and I hope writers give us that importance. I can't alone stand up and demand roles like that. It's a collective thing. Writers have to believe in heroines and understand that there's more to a woman than just her curves. It's not that they can't do it. They just choose not to.
I would probably choose supporting roles if I had to make a choice. It's actually a really hard thing to say. It's all on a role-by-role basis, ultimately. I shouldn't be so quick to say that. I feel like you're given greater license to be colorful and eccentric in supporting roles, and that's interesting to me.
As roles go, very rarely do you get a role written for you or a director who wants you and only you for the part.
First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent.
I'm not sure I'll find acting satisfying creatively forever. If you get the good roles, it's great - if you have the freedom to choose your projects and not just do anything and everything. But I'd love to artistically commit to a project from beginning to end, which I think you can only do as a writer or director.
I have very supportive parents who said, 'Go and do what you want to do. Home is always here for you, and if you don't like it out there, come back. You can always do something different.' So when you have an option like that, you are able to choose roles or choose the things you want to be in.
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