A Quote by Clare-Hope Ashitey
No one tells actors anything; we're always the last people to find out.
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There's a lot of actors out there or people who want to be actors. It's unique to find somebody that, you know, needs to be an actor.
It was always the same thing - no script, dialogue at the last minute. Everyone always thought we just said anything we wanted. It's difficult to explain - some actors want to know why they have to do this and that. It was so simple and natural with Godard.
I'm not just friends with fellow actors, but I find that a lot of people are out here in L.A. I go out of my way to make sure that's not the case, but I do have a lot of friends who are actors.
I like getting involved with the people and finding out exactly what is happening. Does it have to do with the property, the home, the individuals, or a combination of everything? To me, that's always been my main goal, to find some information, to bring some type of resolution to help the people out with a piece of property that is having a major problem or a haunting. That's always been my passion and still is to this day when getting involved with anything, to try to find answers and help people.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends.
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
After all these years in the business, I really feel that actors are used. People treat actors worse than they treat children. It's always, 'Do me a favor,' it's always, 'Help me out,' it's always, 'You carry the load,' and then they don't want to admit what you've done.
We had one or another form of state capitalism during an extremely brief period of human history, which tells us essentially nothing about human nature. If you look at human societies and human interactions, you can find anything. You find selfishness, you find altruism, you find sympathy.
I am a great admirer of other actors, but I never compete with other actors. I always compete with what I did last, and I'm my own most vicious critic. So I'm always trying to do it better.
You have to let people find out who they are as actors and pull their strengths out based upon what they can actually do best.
We live in a world where you can walk into a bookstore and get a how-to guide on just about anything. But no one tells you how to die with dignity. No one tells you how to go out like the winner.
I believe anything that anyone tells me. I have found that that is the best way to go through life. When I was younger, I used to be more skeptical, but then I found out that most things were true. So I believe tabloids. I believe legends. I believe anything anyone tells me.
Most actors and actresses are performative as people. It goes part and parcel with the profession and New York actors who are out of work, or actors anywhere out of work, are manic because you never know when the next job is going to come.
The sheep-people don't think for themselves anymore. You can say anything and it's the gospel truth and they don't have to go research it or anything, and they believe everything the news tells them. People don't go and do their own investigations if it's relationships or politics or anything.
With a screenwriter and with the actors there is always an environment of trust. You can say anything, all your secrets, and you know that it won't get out of that room.
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