A Quote by Clare Rewcastle Brown
But I have this vivid memory of flying over Borneo down the coast to Singapore. It was a two-hour journey in those days, and I remember looking out the window for two hours at this amazing canopy of unbroken jungle beneath me.
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I have vivid memories of leaving North Borneo at 8, and I remember the vast canopy of rain forest.
Of course, I was a little concerned about it being over two hours [in "Aquarius" ]. "Neighboring Sounds" was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.
In the space age, man will be able to go around the world in two hours - one hour for flying and one hour to get to the airport.
Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.
We have amazing stunt performers and in Miguel Sapochnik, a director who's so good at spending hours and hours and hours on every shot beforehand, so that he knows exactly what he wants when he gets to the battlefield on the day. We only shoot ten-hour days, so you have to pack a lot into those ten hours.
Most people would rather sit on a plane for two hours than spend two days on a train, but there's nothing comparable to taking a relaxing rail journey with your family or good friends.
Two hours of sparkling entertainment spread out over a four-hour show.
Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.
I stood looking down out of the window. The street seemed miles down. Suddenly I felt as if I'd flung myself out of the window. I could see myself lying on the pavement. Then I seemed to be standing by the body on the pavement. I was two people. Blood and brains were scattered everywhere. I knelt down and began licking up the blood and brains
It took me about three years to write About Grace. I wasn't teaching two of those years, so I was working eight-hour days, five days a week. And it would include research and reading - it wasn't just a blank page, laying down words.
In my day, at 12 years old, which was 38 years ago, we worked out in summer months for two and a half hours. Today someone in that age group might work out for four hours, two hours in the morning and two at night.
In my day, at 12 years old, which was 38 years ago, we worked out in summer months for two and a half hours. Today someone in that age group might work out for four hours, two hours in the morning and two at night
You want the truth, of course. You want me to put two and two together. But two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labeled bones.
DJ-ing taught me how to create a journey over the space of two or three hours.
My father and mother in 1817 were forty-nine days on the road with their emigrant wagons [from Vermont] to Ohio. More than two days for each hour that I spent in the same journey.
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