A Quote by Clarence Clemons
When I walk on stage, it's the 'healing floor.' No matter how bad I'm hurting, I get out there and do it.
Related Quotes
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
I think the hardest thing in life is to forgive. Hate is self destructive. If you hate somebody, you're not hurting the person you hate, you're hurting yourself. It's a healing, actually, it's a real healing...forgiveness.
No matter how bad things get, you can still walk away.
All I have to do is be me on stage. But acting, I have to be someone else, and walk how they would walk and blink how they would blink. I used to talk about it bad like, 'Aw man, that person made $10 million a movie?' But now I understand why they do. I get it now.
Hate is self-destructive. If you hate somebody, you're not hurting the person you hate. You're hurting yourself. And that's a healing. Actually, it's a real healing, forgiveness.
I find motivation anytime I need it, no matter how bad I’m hurting I can push through anything
These guys were always saying, 'The minute you get onstage, it's great, no matter how much you're hurting.' But that didn't work for me. There were some nights I did not want to get out there.
I don't think anyone's particularly conscious of thinking suits are the thing, but when you see a comedian on stage in jeans and a t-shirt it doesn't matter how good they are - it always looks like amateur hour when they walk onto the stage.
Fight scenes are hard, no matter what you do. You're trying to make it look like you're hurting someone without hurting them. It doesn't matter how big and strong the guy is that you're fighting or how small and feeble someone is that you're fighting. You don't want to hurt them. You're working with them.
Fight scenes are hard, no matter what you do. You're trying to make it look like you're hurting someone without hurting them. It doesn't matter how big and strong the guy is that you're fighting, or how small and feeble someone is that you're fighting. You don't want to hurt them. You're working with them.
Looking back, I've learned the most from the bad coaches, really, how not to act, how not to coach, how not to treat people. So I always say no matter what situations you're faced with, how bad it is, you can always walk away and learn. You can always rise above it.
No matter how the day's going, when I get out there on that stage, it makes it all all right.
As any doctor can tell you, the most crucial step toward healing is having the right diagnosis. If the disease is precisely identified, a good resolution is far more likely. Conversely, a bad diagnosis usually means a bad outcome, no matter how skilled the physician.
I can't let the baggage of my private life get into work. Artists are more fragile than normal people. But I know that I am a role model for zillions of people, so no matter how deep you are hurting, you need to come out strong.
I used to have stomach ulcers and stuff when I was in the 10th grade. I'd be doubled over on the floor, I was hurting so bad. I was on Tagamet before it was over the counter.
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