A Quote by Clarence Darrow
I had a vivid imagination. Not only could I put myself in the other person's place, but I could not avoid doing so. My sympathies always went out to the weak, the suffering, and the poor. Realizing their sorrows I tried to relieve them in order that I myself might be relieved.
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You can practice deep listening in order to relieve the suffering in us, and in the other person. That kind of listening is described as compassionate listening. You listen only for the purpose of relieving suffering in the other person.
The only thing I could see myself doing is music - songwriting or producing or something. I've never seen myself being in any other business, I've been working in this one since I was 5 years old! I could do other things, but I wouldn't want to.
I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.
But if I have a lot of imagination, I could tell myself whatever I wanted, you know. I handle myself quite well. I'm kind of fascist with myself, you know. There's no discussion. There is an order. You follow it.
Jesus lost all his glory so that we could be clothed in it. He was shut out so we could get access. He was bound, nailed, so that we could be free. He was cast out so we could approach. And Jesus took away the only kind of suffering that can really destroy you: that is being cast away from God. He took so that now all suffering that comes into your life will only make you great. A lump of coal under pressure becomes a diamond. And the suffering of a person in Christ only turns you into somebody gorgeous.
In order to avoid sentimentality and to be able to write the screenplay with the kind of humor and irony necessary to keep the story moving, I needed to distance myself as much as I could from the characters, to try to get to a point where I could view them objectively.
I've always seen myself as the person listening to alternative music and all that - generic indie person. I always tried to be the least pretty I could be.
When I'd get tired and want to stop, I'd wonder what my next opponent was doing. I'd wonder if he was still working out. I'd tried to visualize him. When I could see him working, I'd start pushing myself. When I could see him in the shower, I'd push myself harder.
I always had an awful lot going on in my head, always telling myself stories, very vivid imagination.
Whenever I had anything and saw a fellow being suffering, I was more anxious to relieve him than to benefit myself. And this is one of the true secrets of my being a poor man to this day.
I had learned to dwell with pleasure as a beloved daydream on the thought of the separation of these elements. If each I told myself could be housed in separate identities life would be relieved of all that was unbearable the unjust might go his way delivered from the aspirations and remorse of his more upright twin and the just could walk steadfastly and securely on his upward path doing the good things in which he found his pleasure and no longer exposed to disgrace and penitence by the hands of this extraneous evil.
I figured out that I could think of my childhood dog that had died, and I could bring myself to tears. So I used that poor dead dog for several years until it just didn't work anymore, and I had to find something else.
Out of all the things I could imagine spending my time doing, I figure if I was going to devote myself to a mission or dedicate my life to a cause, it should be an enjoyable one. And partying was the most fun thing I could think of and also that other people could relate to.
I've always had to prove myself to people growing up. I had to show them that I could do this and I could do that and paying no mind to what the critics said.
I never thought of myself as a wealthy person. I've thought of myself as a person who has had a lot of luck. I don't have the same stress that other people have, but there are too many things I could have done differently if wealth was what I was after. If I was all about money, I would have lived in L.A.
At any rate, when I began photographing myself, I could place myself in poses that had not been investigated by other artists. It was an area other artists hadn't touched. Then, I went on from there. I manipulated my image - distorting it, brutalizing it. People thought I was mad, but I felt I had to tell these things. It gave me a kind of excitement.
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