A Quote by Clarence John Laughlin
As a whole, I am interested in the symbolic, rather than the literal use of the camera.
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I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
I am interested in people. I'm interested in telling stories, whether that is behind the camera or in front of the camera.
I taught myself to use a camera - it's not very difficult to use a camera, but I never bothered looking at any textbooks on how to make a picture. I had a much more casual relation to it. For me at the time it was much more about the process rather than the results.
I have more of a relationship with the subject than I do with my camera equipment. To me, camera equipment is like a tin of shoe polish and a brush - I use that as a tool, but my basic camera is my emotion and my eyes. It's not anything to do with the wonderful cameras I use.
Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
Departure from the literal aspect, rather than mechanical exactness, is the code of the true artist. However, departures are the result of studied intent rather than inability.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
Is there a term that one might use rather than say that one is homosexual? Is there a different physical gender and symbolic dimension? I'm thinking of Adrienne Rich's notion of the lesbian spectrum. It's not as if sexual identity is binary: one must be either homo or hetero.
Whenever you find a preacher who takes the Bible allegorically and figuratively...that preacher is preaching an allegorical gospel which is no gospel. I thank God for a literal Christ, for a literal salvation. There is literal sorrow, literal death, literal Hell, and, thank God, there is a literal Heaven.
My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
I have a character failing. I am quite incapable of identifying with anything whole-heartedly. Whatever I am doing, I am always planning to do something else. I would rather travel than arrive.
Twenty-four hour news delivers people who stand and talk to camera rather than deliver reported packages with their own camera crew where it's happening.
The most important precedents deal with the whole idea of symbolic programming - the notion of setting up symbolic expressions that can represent anything one wants, and then having functions that operate on both their structure and content.
I am interested in classic building development, such as hotels and residential homes, rather than commercial properties.
Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)
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