A Quote by Clarence Major
Life can be unsettling. Writers have always gravitated to conflict, unhappiness and disturbing themes. We as readers would get bored pretty quickly if stories were about all the pleasant things in life. Since we know our troubles are always coming we want to see in our fiction examples of how others have dealt with them.
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It used to be, if you were a reporter, you wrote a story and then you moved on to the next one. We were used to people coming to the New York Times. We waited for them to turn on our website or to pick up our print paper and see what we have. We now understand that we have to make our stories available to our readers. A lot of people get their news from Facebook or Twitter and we want to make sure that they see some of our best stories there, too. We do this more aggressively now than we did before.
We are Republicans. How I see our mission is we always want to be transparent with readers about what we think, about our opinions. But, fundamentally, we are out there to collect and report facts. And that's always our guiding mission.
Somebody saying something offensive to you, or insulting to you, is not pleasant, but it's part of life. And my belief is we need to shore ourselves up, and our kids up and our younger generation up to understand how to deal with that unpleasant reality, because we won't always be there to protect them. And you know, I for one want my own kids to know how to handle that.
The great thing about fiction is that I don't have to settle on an answer to any troubling question, or even a solution. I hope that my stories serve as explorations and help show readers how and why real-life women don't always make the "correct" decisions in the face of economic and sexual troubles. We all screw up, but the women I write about don't have back-up plans or money in the back or resources to fix what they have broken.
When I wrote 'Southern Baptist Sissies,' that was the first time that I really ventured out into pure drama with themes where there was not one laugh sometimes. But I've always gravitated organically to blending tones and usually get good reviews about that. That's what life is about.
We writers – and especially writers for children, but all writers – have an obligation to our readers: it's the obligation to write true things, especially important when we are creating tales of people who do not exist in places that never were – to understand that truth is not in what happens but what it tells us about who we are. Fiction is the lie that tells the truth, after all.
Things in life have no real beginning, though our stories about them always do.
We define our identity always in dialogue with, sometimes in struggle against, the things our significant others want to see in us. Even after we outgrow some of these others—our parents, for instance—and they disappear from our lives, the conversation with them continues within us as long as we live.
I know those challenges that come up from time to time in life are our little learning tools, our little steppingstones. If we didn't have those things in our life, how would we learn anything? We would just be walking around like nothing. We need those obstacles in our life because I know one thing - I'm a much better person for them.
What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
If Jesus Christ were to sit down with us and ask for an accounting of our stewardship, I am not sure He would focus much on programs and statistics. What the Savior would want to know is the condition of our heart. He would want to know how we love and minister to those in our care, how we show our love to our spouse and family, and how we lighten their daily load. And the Savior would want to know how you and I grow closer to Him and to our Heavenly Father.
I think writers like to see how people bring their words to life, and it's always surprising. Always, no matter what, whether it's good or bad, it's always surprising because a whole human being is coming to that piece of writing.
I think the saddest moments in life have humor in them. I have a memory of coming home from a funeral with my family in the back of a limousine and someone cracking a joke and us just hysterically belly laughing. It's how we always dealt with tragedy in our lives and I think it's such a healthy way to deal with sadness.
Criminal cases receive the attention of the press. The cruel and disagreeable things of life are more apt to get the newspaper space than the pleasant ones. It must be that most people enjoy hearing of and reading about the troubles of others. Perhaps men unconsciously feel that they rise in the general level as others go down.
You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book ? if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.
How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but — mainly — to ourselves.
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