A Quote by Clarence Page

Nothing concentrates the mind like a firm deadline, and a little voice in the back of my mind reminding me that, "If you don't write, you don't eat." We all want to be respected and appreciated, but when you get a big honor like winning the Pulitzer, people start to look for your work in a new way with higher expectations. Today, the best thing about having won is when I get a nasty comment from some internet troll I can remind myself of the Pulitzer and say, "Well, somebody appreciates me".
One thing about winning a Pulitzer, it means you know what the first three words of your obituary will be: Pulitzer Prize-winner. After winning the Pulitzer, I couldn't help but notice how people suddenly looked at me with a newfound respect, and would say, "He's an expert." On the negative side, I developed a terrible case of writer's block for awhile, because I felt like readers would expect every one of my columns to be prize worthy.
The Pulitzer isn't a physical object. You can't hold it in your hand. You get some money ($7,500 in my day), and you get a little Tiffany's paperweight with your name on it and the image of Joseph Pulitzer suspended in the crystal. When people see my 'Pulitzer' (I keep it in my sock drawer), they are pretty amazed at its meagerness.
Winning the Pulitzer is not that big a deal. I have seen hundreds of plays that have won the prize and you couldn't sit half way through it. The Pulitzer is a common prize that means very little.
It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.
Winning the Pulitzer is a really mellow, fabulous thing. You don't sit and wait for them to open an envelope. You already know you won, and you have a nice lunch. Oscars are more stressful. I had to sit for three hours and wait for my category. I had to fly to Los Angeles. For the Pulitzer I just had to go up to Columbia. But, while the president of Columbia gave me the Pulitzer, Audrey Hepburn and Gregory Peck gave me the Oscar, so that was better.
I made up my mind long ago to follow one cardinal rule in all my writing-to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics-Well, they can do whatever they wish.
I don't mind if people don't like me. Well, I might a little ... but I really mind it when somebody uses their position at Time magazine to tell 10 million people they don't like me. I know what it's like to have your private life painted in the worst possible light in front of a lot of people.
At some point, I would like to write a book and other things, but I work best when there is some sort of deadline in my own mind, but not when fifty people or fifty million people are breathing down the back of my neck.
I'm always going to feel like the underdog. I feel like that's the kind of mind-set I want to have and if I do lose that mind-set, I want somebody to slap me in the face and say, 'Hey, pick it up and get back to the roots.'
So somebody comes along and gets to me. They get me angry or uptight or they awaken some desire in me, wow am I delighted. They got me. And that’s my work on myself. If I am angry with you because your behavior doesn’t fill my model of how you should be, that’s my problem for having models. No expectations, no upset. If you are a liar and a cheat, that’s your Karma. If I’m cheated, that’s my work on myself.
You get married, you start having responsibilities. It's really hard if your dream hasn't caught some traction by the time you're in your mid-to-late 20s. You want to provide for your family. I would say, the majority of people fall in that boat. They want to do something, but life gets in the way. And they're like "well, I'm going to get this job, and have safety and security."
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.
The common misconception is that we create films for ourselves. And I really don't do it for myself. I get stopped in the street by people saying, "Do you mind if I say this about your work?" Do I mind? I'm delighted. I do it for you. It's not for me. It's my living, yes, sure.
So the HP guy comes up to me (at the Melbourne conference) and he says, 'If you say nasty things like that to vendors you're not going to get anything'. I said, 'No, in eight years of saying nothing, we've got nothing, and I'm going to start saying nasty things, in the hope that some of these vendors will start giving me money so I'll shut up'.
So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.
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