A Quote by Clarence Seedorf

I was born a trequartista, and have adapted myself to playing in other roles. — © Clarence Seedorf
I was born a trequartista, and have adapted myself to playing in other roles.
All of us are playing roles, and there's nothing wrong with playing roles because we have to live in this world - the problem is only when we believe in those roles.
I think I fully commit myself to any role to the extent to which I can. In other words there's some roles that maybe it's just not there, in other words on the page. You know, I mean your job is you need to play the governor and that's what you do. I mean I'm not going to stay up all night if I'm playing a functional role. And I've played a couple of functional roles. And so I'm not going to do anything other, look he's a functional guy. He says hey mister, you forgot your hat.
I do more of ensemble casting, roles that are different. In one film I'm playing a villain, in the other I'm playing a son.
A lot of people know me from my character that I play on 'Superstore,' Mateo, and I'm not interested in playing straight roles. I'm all about playing queer roles.
Playing character roles gives me the freedom to try out different roles, including negative ones or elderly ones. When one is playing the lead role, clearly there are limitations and responsibilities.
I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?
I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.
Playing difficult characters is definitely challenging but playing the Mahanayak is not only difficult but one can't prepare himself for such roles as no preparation is enough for these kind of roles.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
For a woman, there is a complete dearth of roles to do. Abroad, you really have good roles, and by good roles, I don't mean the film has to be women oriented. I wouldn't mind playing a well-written, small role.
Trequartista is an important position in the team.
Shakespeare has been adapted by Akira Kurosawa. 'Dangerous Liaisons' has been adapted into a Chinese movie. 'Blood Simple', the Coen brothers movie, was adapted by Zhang Yimou.
I can't keep myself from playing roles. The emotionless decadent, looking for diversion from boredom, is a favorite.
I had quite a bit of experience doing things that had been adapted from a book and playing real-life characters and playing the younger version of actors. That's kind of my thing.
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