A Quote by Clarence Seedorf

Humanitarian work is something I've felt from very young, and I'm going to do that for sure. — © Clarence Seedorf
Humanitarian work is something I've felt from very young, and I'm going to do that for sure.
Originally, I wanted to do humanitarian work. I actually feel that getting into acting, which fate has led me to, is my window and path into humanitarian work. I always said I want to do something important. And I feel this work is what's helping me get there.
I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
If something can be proven to work, we should try it... Making sure that our young folk get the best education is the only thing that matters to me, and if something can be shown to work in doing that or if something's worth trying to do that, then I'll certainly be in the market for it.
You always want to make sure that your work can touch as many people as possible. Whether it's young guys, young girls, you never know where it's going.
I read a very romantic book when I was young, when I was in college: Rilke's 'Letters to a Young Poet.' And I've always felt that if you are in any kind of an artistic, creative endeavor, and you feel there's something else you can do for a living and be happy, I think you should do something else.
I didn't think at all as a young child that music would be my profession. It was just something that one did along with going to Brownies or going to church or going to school or anything else that one did in sort of one's very young life.
I married young. I had an instinct that this man was going to really wear well, and he has. For me, this is what worked. I always admired Helmut because he was, A, very smart, B, very sure of himself and very, very funny, and so that combination of things.
There are times I felt insecure or not sure: I'm unsure of myself, or I get nervous, but nerves are good. I try and embrace all those things. I try and embrace the times where I'm not sure of myself or I'm like, 'Is this going to work? Is this going to land?'
I'm very - I'm not very sure of anything in my life, but there's always been something in me that has known that I'm going to get where I'm going, one way or the other.
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
The first question is something immediate -- and immediately, we need humanitarian aid to be allowed into the Sudan before it becomes the worst humanitarian crisis in the world.
They think my father has a lack of concern for human rights, but regardless of details, the Americans should be humanitarian in dealing with his family, because we are human. Saddam has three young ladies and they have children, I have five, Rana has four, and Hala has two. Therefore, our father is very dear to us. His grandchildren love him a lot. Why aren't humanitarian factors taken into account?
We need to continue to modernise current humanitarian work while at the same time drive a more systemic shift in how we envision the operation and financing of humanitarian solutions.
I'm very nervous about taking jobs. I always make sure that, if I'm going to work with somebody, that they really understand what it is that I want to do. I'd rather not take the job than be vague about how I'm going to do something and run into trouble later on. It's a hard thing to negotiate.
I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
Nothing is ever for sure, but when something in love doesn't work from the beginning, it's never going to work. Don't push it.
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