A Quote by Clarice Lispector

You don't understand music: you hear it. So hear me with your whole body. — © Clarice Lispector
You don't understand music: you hear it. So hear me with your whole body.
Noam Chomsky is, in some ways, a victim of this new millennium we live in because you can't pull a sound bite from that guy and understand what he is talking about. You have to hear the whole paragraph. You have to hear the whole page. You've got to hear the whole conversation if you really want to understand it and that could change your life.
With your whole body, with your whole heart, with your whole conscience, listen to the Revolution....This is the music everyone who has ears should hear.
To me our music is like Jamaican stuff - if they can't hear it, they're not supposed to hear it. It's not for them if they can't understand it.
To me, our music is like Jamaican stuff - if they can't hear it, they're not supposed to hear it. It's not for them if they can't understand it.
Sometimes I prefer when I can hear other people conduct my music so I can sit out and actually hear it. When you are in the middle of it, sometimes it's a little bit hard to hear and get the whole effect.
It's always interesting to me that we all hear music differently. It's an awesome experience to hear what other people hear.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
My husband is a composer, so he plays piano all the time and I sit there and clap telling my unborn child, 'Hear me clap, hear the music.' I know music, in general, is supposed to be good for babies to hear.
Music is made to be heard, whether you hear it in concert, you hear it on the radio, or you hear it in your car. It's not for two people to sit in a closet and go, 'That's my band, the only band I've ever heard, and I'm the only person that's going to hear it.'
You know, when I hear music, I just hear the whole thing.
I can hear my heart beating. I can hear my stomach growling. I can hear my teeth grinding and my joints creaking. My body's so noisy, I can't sleep.
You seldom listen to me, and when you do you don't hear, and when you do hear you hear wrong, and even when you hear right you change it so fast that it's never the same.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
If I'm reading about a river or the trees or the wind blowing or the stars at night, if you can hear that in the music in some way, you've wedded the two and your imagination takes off. To be able to hear that in music is really important.
I do hear snippets on the radio. I do hear a little bit of me, sometimes great chunks of me. But I have to take that as a compliment; there's no way you can get sour grapes about that. But if somebody starts taking your whole new thing lock, stock, and barrel, and do their own version of it before you do it, that's not on.
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