A Quote by Clark Gregg

With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
'Spider-Man' seems to have a different tone to the pure Marvel stuff, but I really enjoyed the 'Guardians Of The Galaxy' and 'Iron Man' movies. I love the special effects and how it seems very real, but at the same time, it still lives within the realm of Marvel. That's got to be a lot of work.
I really enjoy doing the action stuff, but you have to be careful about who you say yes to with the action stuff 'cause some people want to do it but don't know how, and then it just becomes incredibly frustrating.
I've been really impressed with 'Supergirl.' It's a great show because it's appeals to DC Comics fans, staying true to the characters in spirit and costumes, and it also appeals to casual fans who enjoy good action, fun storylines and interesting characters.
Also, my humor is really dry-witted, Canadian humor, so some people get it and some people don't. I'd be great on "The Office." I would like to be on that show. And, I could see me doing romantic comedy films, and stuff like that.
We're not just horror fans. We're film fans. I love action films. I want to do action films. I want to do romantic comedies. I love all this stuff. So, if I find the good material, I'll do it.
There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
A lot of fans are complaining nowadays of too much shaky cam in action scenes and not being able to see what is going on, but I don't want to disappoint people. I'm a huge admirer of action and I'm very passionate about it. I do believe that a lot of action could be done so much better in general, so I'm a real advocator for pushing things forward in that sense and giving the fans what they want.
As a consumer, I love action movies and have a lot of opinions about how action comedies don't really do justice to what I find exciting about an action movie, which is the genuine thrill of watching something that feels really high-stakes. A lot of times, it's played for laughs and action, which waters down the sense of danger.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
I'd like to do a lot of different stuff. I think it's important as a creative person to keep challenging yourself and keep doing new stuff. If you end up trying to repeat yourself it's death. It just becomes boring and takes the passion out of it. You gotta find stories and characters that you really want to hang out with.
The Trump phenomenon has a lot of really good stuff in it, the anti-elitism, the concern for America's economy in the Rust Belt, the desire to see better days for the country. That's all great stuff. Some of that stuff is Bernie Sanders stuff. The problem is that it's marbled through with xenophobia and misogyny and bigotry.
Comics fans want new stuff that looks exactly like the old stuff. It is hard for the publishers, and even the audience, to change something.
One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways."
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
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