A Quote by Clark Gregg

Sometimes being an actor is being a song in someone else's mixtape, so I really understand why more and more actors are making films of their own. — © Clark Gregg
Sometimes being an actor is being a song in someone else's mixtape, so I really understand why more and more actors are making films of their own.
I think there are shades of political songs; some are more subtle and can be more effective for being subtle, for being more metaphorical. I've written a lot of songs like that, where it's not really clear if it's a war song or a relationship song. The metaphor can be the most powerful thing of all, but sometimes you have to speak more clearly to more people, and I think this is one of those times.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
I always thought on my own that what is a huge part of being an actor, or what made me a better actor, was just really living life. Not being closed in on life, but being more open to experiences and to people and taking risks and exposing yourself to things.
Sometimes performing someone else's song is more difficult than writing your own.
I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor, nobody else is choosing what is being seen of you.
Being independent is more of a mind state more than anything else. A lot of people don't understand that being an independent artist means being hands on with your career in every aspect - not being afraid to spend your own money and invest time in yourself. Although I'm affiliated with a major label, I still wake up every day with an independent mindset.
I don't even really understand that concept of someone being 'smart' or someone else being 'smarter.' I think that except for the obvious special cases, we're all equal.
I never wanted to be an actor, and to this day I don't. I can't get a handle on it. An actor wants to become someone else. I am a song-and-dance man, and I enjoy being myself, which is all I can do.
I never wanted to be an actor and to this day I don`t. I can`t get a handle on it. An actor wants to become someone else. I am a song-and-dance man and I enjoy being myself, which is all I can do.
Our thought should not merely be an answer to what someone else has just said. Or what someone else might have said. Our interior world must be more than an echo of the words of someone else. There is no point in being a moon to somebody else's sun, still less is there any justification for our being moons of one another, and hence darkness to one another, not one of us being a true sun.
Don't get me wrong: I love having my own song and being the center of attention, but I also love being part of the group and making the show work in a more anonymous way.
I think [The Outsiders] really forged who I am as an actor, and it's one of the reasons why I keep being drawn to big ensembles where I'm surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.
Theatre is an actor's medium. An actor has little control over a film. Which is why most actors who have done theatre, and then come to films find the former more creatively satisfying.
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
I don't try to worry about sounding like anybody because I know I have my own tone, my own sound. It's just about being honest in a song and trying to relate myself or how to basically break it down as simple as possible for someone to try to understand it. Not being too deep, not being too shallow at the same time.
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