A Quote by Clark Gregg
There's nobody who loves being around actors working more than David Mamet, especially actors bringing his tremendous dialogue to life. I've never seen a movie director who was happier to be directing a movie than Dave.
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I've never seen a movie director who was happier to be directing a movie than Dave [Mamet]. His sets, everyone who's ever been involved with one of them will tell you of the funnest, funniest sets you can be on.
I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.
To have a director that loves his actors is something that you can see in the film and in the fruits of that labor. You can see that translated in the film. When you watch this movie, you can see a director who loves his actors, and it shines through the movie, in my eyes.
I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
If a movie doesn't even have financing yet, they'll do a table read for it at a casting director's office with actors, for the producer and the writer, just to hear if the movie is working.
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
This new crop of actors, they're larger than life people. I don't think that this generation has the same following that the last one had. You don't say "you've got to see his movie, you've got to see her movie" any more.
There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.
I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
I just feel my body clock is different when it comes to making films than other directors. Being on set, and sweating, that feeling eases me more than actually when the movie's over; being on set, moving around, to me feels more relaxing than being done with the movie.
I find music the the clearest and easiest way in to what a movie will feel like - more so than visual references or other movies or dense dossiers of research material. Every now and then I'll send a piece of music or two to people I'm working with - actors or heads of department - when I think it'll help them get a sense of the kind of movie I'm proposing. Often those pieces will end up in the movie - sometimes they won't.
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
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