A Quote by Clark Gregg
There's something about the superheroes and the idea behind their relationship with humans, whether it's a metaphor for the better part of ourselves, or the more flawed part of ourselves. So it seems to really be our own pop-culture version of Greek mythology.
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Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously.
Events in the present can trigger quite a young part of ourselves. If we don't take responsibility and start looking after that young part of ourselves, we can start asking partners to look after that part of ourselves or we wound ourselves.
But you know what, honestly? I'm not that interested in advertising. I think it's a great way... It's such a huge part of our culture. It's like saying, "Are you interested in hair?" It's such a part of our life, and it's such a reflection of how we feel about ourselves, and what we're interested in, and what we want to be.
Fashion is not trivial. It's a huge industry and a big part of our lives. Fashion is about us - how we look and present ourselves, how we can change ourselves, and our perceptions. You can dress up to be quite glorious creatures - it's all a very important part of life.
If it is true that love is the pursuit in another of qualities we lack in ourselves, then in our love of someone from another culture, one ambition may be to weld ourselves more closely to values missing from our own culture.
I think we carry around the idea of being a Kid in the Hall as part of our identity. It's a big part of how we see ourselves now.
The idea of future or past, either way, is a core part of entertainment. It's something we've always loved as humans. Its part of our psyche, I think.
We're on an indie label. We don't have mass marketing behind us, and we don't have big budgets. We do our own thing. We do exactly what we want to do. We produce our own music. We write ourselves. We record ourselves. We mix ourselves. The artwork is done by my brother. That's not selling out. We're doing exactly what we want to do.
Nature has made us a present of a broad capacity for entertaining ourselves apart, and often calls us to do so, to teach us that we owe ourselves in part to society, but in the best part to ourselves.
Believe it or not, entertainment is part of our American diplomacy, it is part of what makes us exceptional, part of what makes us such a world power. Hundreds of millions of people may never set foot in the United States, but thanks to you, they've experienced a small part of what makes our country special. They've learned something about our values. We have shaped a world culture through you...in a way that has made the world better.
Although our moral conscience is a part of our consciousness, we do not feel ourselves on an equality with it. In this voice which makes itself heard only to give us orders and establish prohibitions, we cannot recognize our own voices; the very tone in which it speaks to us warns us that it expresses something within us that is not of ourselves.
I never watched Lost. I just thought it would be fun to be part of something that was such a big part of pop culture. But I thought I was going to be acting with more of the other people. I didn't know that I was going to be on my own on the island, doing this whole other storyline.
But how can we love someone if we don't like him? Easy-we do it to ourselves all the time. We don't always have tender, comfortable feelings about ourselves; sometimes we feel foolish, stupid, asinine, or wicked. But we always love ourselves: we always seek our own good. Indeed, we feel dislike toward ourselves, we berate ourselves, precisely because we love ourselves; because we care about our good, we are impatient with our bad.
The philosophy of fasting calls upon us to know ourselves, to master ourselves, and to discipline ourselves the better to free ourselves. To fast is to identify our dependencies, and free ourselves from them.
Part of our identity is the idea that racism is still there and that we are vulnerable to it. So, the question is, 'How vulnerable?' In other words, is it really a problem for us, or is it just a small thing. How do you evaluate racism in America on a scale of 1 to 10? My suspicion is that most blacks overrate it a bit. Not to say it's not there, but we overrate it because this masking is part of our relationship to the larger society. This is a way we keep whites on the hook. We keep them obligated, and we keep ourselves entitled. There's an incentive, you see, to inflate it a little bit.
The idea of making music from an imaginary culture was to give ourselves a set of restrictions and parameters within which to work. Otherwise, we might have just gone on all kinds of creative detours, some of which might have been interesting. But better we confine ourselves to something.
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