A Quote by Clark Gregg

I was lucky enough to work a little bit with Steven Spielberg. — © Clark Gregg
I was lucky enough to work a little bit with Steven Spielberg.
Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
When kids like Steven Spielberg were eight and nine and 10, they had little cameras, and that's all they wanted to do. When I was 10, I was in my attic pretending to host my own variety show. Spielberg wasn't. That's why he's a film director, and I'm doing what I'm doing.
My novella, 'The Lucky One,' is inspired in part by my dad and also by a Holocaust survivor I interviewed for the Steven Spielberg Survivors of the Shoah Foundation.
I think that having had [Steven Spielberg's] confidence in me probably made me a little more immune to feeling as bad about myself in the face of rejection. I also was just so young - I was unaware enough to not take it too seriously.
I'd love to work with the Coen brothers. And Steven Spielberg. 'E.T.' was big for me.
I'm totally aware of how lucky I am. I have health, family, children. I do work that gives me total joy and allows me to make a living, and maybe, if I'm lucky enough, I'll feel I've fulfilled a little bit of service to society because I brought other people some laughter.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
I'm not a huge Steven Spielberg nerd, but I know about him and I know of his work.
I'm the Steven Spielberg of Malibu.
Steven Spielberg was my childhood hero.
I want to be host of 'SNL.' I want to work with Steven Spielberg, Leonardo DiCaprio, J.J. Abrams, Emma Stone and Tim Burton, Sean Penn, Cameron Crowe. I want to work with Adam Sandler - he is so funny - and Tina Fey and Amy Poehler.
You're only as good as your body of work, and everybody has issues, whether it's Steven Spielberg or Martin Scorsese. I'm not comparing myself to those guys, but you learn more from the misses than the hits.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
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