A Quote by Clarke Peters

I'm a stage actor, and we never get to see our performances. — © Clarke Peters
I'm a stage actor, and we never get to see our performances.
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
Believe me, I've never trained in acting. All the fluidity, the confidence you may see on screen comes from my stage performances in school and college.
I thought I could see how standup worked. I never thought of being an actor - or anything else, really - but I thought, 'I can see how you get on stage and tell jokes.'
I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors.
The performances you have in your head are always much better than the performances on stage.
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
You spend enough time on set as an actor and it's great when a director was at some point an actor or understands acting. They're able to finesse performances out of you that a lot directors can't get.
I think you get the most honest performances when an actor shows up to set with their lines memorized. That's a very important thing that a lot of people seem to forget. You have a pre-conceived notion of what you want the scene to be, but once you get there, that goes out the window and it turns out to be a way that you never imagined.
I felt I should get back to stage performances because I really enjoy them.
I didn't always mean to be an actor. I was carried onto the stage when I was two days old, but I never acted as a child. My parents were stage people.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
There is no definitive list of the duties of a stage manager that is applicable to all theaters and staging environments. Regardless of specific duties, however, the stage manager is the individual who accepts responsibility for the smooth running of rehearsals and performances, on stage and backstage.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
I hope our fans will be able to make great memories with us through the music and performances we show on stage.
It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
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