A Quote by Claude Debussy
When asked by a grumpily puzzled professor what "rules" he followed, Debussy is said to have retorted, mon plaisir "whatever I please" and he further claimed that more was to be gained by watching the sun rise than by listening to the Pastoral Symphony. Although such remarks were intended to shock, they contain a core of Debussyan verity.
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The securitisation of mortgages added a new dimension of systemic risk. Financial engineers claimed they were reducing risks through geographic diversification: in fact they were increasing them by creating an agency problem. The agents were more interested in maximising fee income than in protecting the interests of bondholders. That is the verity that was ignored by regulators and market participants alike.
There are no categories in contemporary art. There are no rules. Artists are given the freedom to make and create whatever they please and call it whatever they please. I identify with that system, or lack of system, much more than I do the landscape of contemporary publishing.
For Debussy the musician and the man I have had profound admiration, but by nature I'm different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy.
The natural world around us shows the way to relief. All of life is maintained by the sun, by the air, by water, by the earth and its resources. And to whom was the sun given? To everyone. If there is any one thing that people do have in common, it is the gift of sunlight. But as the early Christians said, "If the sun were not hung so high, someone would have claimed it long ago."
Professor Macleod, in his remarks, gave everything that I was going to say and used the pronoun 'we' throughout. The following day, students were talking about the remarkable work of Professor Macleod.
"Look," I said, "We knew Jason and Becky would be back, the break would end. This isn't a surprise, it's what's supposed to happen. It's what we wanted. Right?" "Is it?" he asked. "Is it what you want?" Whether he intended it to be or not, this was the final question, the last Truth. If I said what I really thought, I was opening myself up for a hurt bigger than I could even imagine. I didn't have it in me. We changed and altered so many rules, but it was this one, the only one when we'd started, that I would break. "Yes," I said.
Well?' Jasper said when Mairelon did not reply. 'Who are you?' 'No, no,' Mairelon said. 'I asked you first. I also, if you recall, asked how you found this place and what you intend to do here, and you haven't told me that, either.' 'We might ask you the same thing,' Jasper retorted. 'You might, but I don't recommend it,' Mairelon said. 'You'll get a reputation as a poor conversationalist if you all can do is repeat what other people say to you.
He asked if he could recite a poem he had written that morning: 'You speak,' he said, 'the language of shooting stars, more surprising than sunrise, more brilliant than the sun, as brief as sunset. I want to follow its trail to eternity.
Were we as eloquent as angels we still would please people much more by listening rather than talking.
That was a perfectly reasonable explanation," she said grumpily. "Perhaps my advisers don't lie to me." "Isn't that what you'd want?" asked Giddon. "Well, yes, but it doesn't elucidate my puzzle!" "If I may say so, Lady Queen," said Giddon, "it's not always easy to follow your conversation." "Oh, Giddon," she said, sighing. "If it's any comfort, I don't follow it either.
Do you want to guess what's in here?" I asked Dash. "I think I've got it figured out already. There's a new supply of red notebooks in there, and you want us to fill them in with clues about the works of, say, Nicholas Sparks." "Who?" I asked. Please, no more broody poets. I couldn't keep up. "You don't know who Nicholas Sparks is?" Dash asked. I shook my head. "Please don't ever find out," he said.
It is hard to be angry when one has seen the sun rise,' she said. It seems to be true,' he admitted. 'I wonder why.' Because it makes one feel so small and insignificant. It has been rising forever and will rise forever no matter what we do or do not do. All our problems are as nothing to the sun.
I asked each if [Yao Xingtong and Zhang Lanxin] was afraid of heights. Each said no, and although they had never had the action movie experience they were willing to be trained. Then I asked if they could swim, and each said yes, but she (gestures toward YX) is better. She said, I can also dive, in fact I once won a diving championship in an international competition. Then she said, "But big brother, I'm not very strong," and I said that's all right.
My relationships were never equitable. My husbands were always older than me, and they made the rules, they ran the show, and I followed them.
That the sun will not rise tomorrow is no less intelligible a proposition, and implies no more contradiction, than the affirmation, that it will rise.
I have a slight controversy with the Dogme brethren because I've been saying that rules are to be interpreted; not that I haven't followed the rules, because I don't see the point of submitting yourself to a set of rules if you don't follow them. But having said that, it is always a lot of interpretation.
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