A Quote by Claude Debussy

The century of airplanes has a right to its own music. — © Claude Debussy
The century of airplanes has a right to its own music.
Is it not our duty to find the symphonic formula which fits our time, one which progress, daring and modern victory demand? The century of airplanes has a right to its own music.
Conducting is a natural way to participate in one's own music. Almost every 19th-century composer Mendelssohn, Mahler was conducting or playing his own music. Mozart did both.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
Right from the 17th century, composers who have taken up music as their means of livelihood went through a hard time financially. They were paid only for commissioned works and public performances. And, when their music became famous, orchestras in other cities and countries would pay a small amount to copy the music.
The 19th century was a century of empires, the 20th century was a century of nation states. The 21st century will be a century of cities.
Airplanes were invented by natural selection. Now you can say that intelligent design designs our airplanes of today, but there was no intelligent design really designing those early airplanes. There were probably at least 30,000 different things tried, and when they crash and kill the pilot, don't try that again.
A lawyer is sometimes required to search titles, and the client who thinks he has good right to an estate, puts the papers in his hands, and the attorney goes into the public records and finds everything right for three or four years back; but after a time he comes to a break in the title. So he finds that the man who supposed he owned it owns not an acre of the ground which belongs to someone else. I trace the title of this world from century to century until I find the whole right vested in God. Now to whom did he give it? To his own children. All are yours.
The mountain music... is compelling music in its own right, harking back to a time when music was a part of everyday life and not something performed by celebrities.
From the time I was a little itty-bitty kid, I was going to the airport every day. I began to study all the airplanes, and I'd draw all the airplanes.
The most common music that you hear anywhere in the world now basically has its roots in that union that happened in the last century, or in the century before that. That kind of music that's groove or beat oriented just didn't exist in lots of cultures before that.
I started with very tonal 19th-century music because I wanted to be a violinist as a child. So this was my first music, and then I was very much influenced by Stravinsky and Shostakovich in the 1950s. But I was starting to develop my own style.
The century of aeroplanes deserves its own music. As there are no precedents, I must create anew.
Even into the 20th century, women were still struggling in the Western world for rights that Islam had granted women in the 7th century: equal rights to education; the right to own and inherit property; to have a voice in the decisions affecting their lives; to be active, engaged, and valued members of society at all levels.
Given that the nineteenth century was the century of Socialism, of Liberalism, and of Democracy, it does not necessarily follow that the twentieth century must also be a century of Socialism, Liberalism and Democracy: political doctrines pass, but humanity remains, and it may rather be expected that this will be a century of authority ... a century of Fascism. For if the nineteenth century was a century of individualism it may be expected that this will be the century of collectivism and hence the century of the State.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
Radio - and perhaps airplanes, and then of course, the atom bomb - was the preeminent technology of the first half of the 20th century. It was how the Third Reich controlled its citizens, spread lies, and disseminated fear.
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