A Quote by Claude Debussy

Extreme complication is contrary to art. — © Claude Debussy
Extreme complication is contrary to art.
Extremes, though contrary, have the like effects. Extreme heat kills, and so extreme cold: extreme love breeds satiety, and so extreme hatred; and too violent rigor tempts chastity, as does too much license.
It's often hard to determine, especially in early drafts, whether or not a story has a bona fide complication. Remember this: A complication must either illuminate, thwart, or alter what the character wants. A good complication puts emotional pressure on a character, promoting that character not only to act, but to act with purpose.If the circumstance does none of these things, then it's not a complication at all - it's a situation. This situation, or setup, might be interesting or even astonishing, but it gives the story no point of departure.
Oh child, your language is so utterly simple and limited that it has the affect of extreme complication. -Aunt Beast
Extreme positions are not succeeded by moderate ones, but by contrary extreme positions.
Aeroplanes are not designed by science, but by art in spite of some pretence and humbug to the contrary. I do not mean to suggest that engineering can do without science, on the contrary, it stands on scientific foundations, but there is a big gap between scientific research and the engineering product which has to be bridged by the art of the engineer.
You have to be an extremist to believe that you're gonna be the president of the United States and your name is Barack Hussein Obama! And he's using extreme methods, but his application is very smooth. Michelle Obama is extreme, her presence is extreme. And it's an extreme good. Extreme is not negative.
A work of (whatever) art can be either 'received' or 'used'. ...'Using' is inferior to 'reception' because art, if used rather than received, merely facilitates, brightens, relieves or palliates our life, and does not add to it ... When the art in question is literature a complication arises, for to 'receive' significant words is always, in one sense, to 'use' them, to go through and beyond them to an imagined something which is not itself verbal.
The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
To an extreme athlete, there's a certain appeal to doing extreme things - seeking the most extreme physical challenges in some of the most extreme climates in the world. Testing and expanding the limits of human endurance is kind of my thing.
A well-chosen complication should give you choices. Juggling choices for your characters is what makes writing fun, after all. If you discover that you're struggling more than you ought to with a draft, perhaps you've run out of interesting choices, or have given yourself too few choices to begin with. Go back to the complication, fatten it up, and start over.
Art has always got more and more extreme, and it will continue to get more and more extreme.
I like extreme athletics, extreme meditation and extremely beautiful women. Perhaps I'm an extreme person, or it's simply my Karma. But I must tell you, as if you hadn't read about me in a newspaper or seen me on a magazine format television show, there are extreme risks involved with all three.
In sharp contrasts to traditional art, modern art does not hide the fact that it is something made and produced: on the contrary, it underscores the fact.
Art on the contrary sought this harmony in practice [of art itself]. More and more in its creations it has given inwardness to that what surrounds us in nature, until, in Neo-Plasticism, nature is no longer dominant. This achievement of balance may prepare the way for the fulfillment of man and signal the end of (what we call) art.
The lover`s discourse was of an extreme solitude. The solitude was extreme because it wasn`t physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.
The sole fact of having a school to train creative people is absolute lunacy... The idea of 'pedagogical vision' is ignoble, it has nothing to do with art, it's contrary to art. I really believe in teaching, despite what I say.
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