A Quote by Claude McKay
Upon the clothes behind the tenement, That hang like ghosts suspended from the lines, Linking each flat, but to each indifferent, Incongruous and strange the moonlight shines.
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As each layer of shadow is mined from the darkness, as each fear is faced and each projection reclaimed, the gold shines through.
(...) And metaphors like cats behind your smile, Each one wound up to purr, each one a pride, Each one a fine gold beast you've hid inside (...)
Coupling doesn't always have to do with sex ... Two people holding each other up like flying buttresses. Two people depending on each other and babying each other and defending each other against the world outside. Sometimes it was worth all the disadvantages of marriage just to have that: one friend in an indifferent world.
The old parties are husks, with no real soul within either, divided on artificial lines, boss-ridden and privilege-controlled, each a jumble of incongruous elements, and neither daring to speak out wisely and fearlessly on what should be said on the vital issues of the day.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part
I do believe in ghosts, but I haven't seen one. I can imagine that you cross over to the other side, some different dimension or whatever, but how do your clothes get there? Ghosts are always wearing clothes.
What do we leave behind when we cross each frontier? Each moment seems split in two: melancholy for what was left behind and the excitement of entering a new land.
For each thorn, there's a rosebud... For each twilight - a dawn... For each trial - the strength to carry on, For each storm cloud - a rainbow... For each shadow - the sun... For each parting - sweet memories when sorrow is done.
For each episode the five of us are all wearing clothes by the same designer. It's a different designer for each episode, but for each one we're all wearing their clothes.
Now that I know that each star has its path, each bird is finally feathered and grown in the unbroken shell, each tree in the seed, each song in the life laid down - is the night sky any less strange; should my glance less follow the flight; should the pen shake less in my hand.
By happy fraternity amongst themselves, the embodied beings get the supreme peace. Then all this earth shines like one house. When the men, the embodied beings treat each other with equal
respect and have good brotherly feelings amongst themselves, great peace and harmony abound. Then all this earth shines like one house. The whole world shines like the one dwelling house of
the entire human family.
It doesn't really exist, this Frat Pack. We run into each other on occasions and we all like each other's films, I guess, but there isn't some big funny restaurant or bar where we all hang out. At least, if there is, they haven't invited me.
It's tough, acting. You have to walk two lines of a tightrope. There's the all-consuming fear of failure: I'm about to fall flat on my face. There's that and there's also confidence - you have to be confident in order to try things - and they fight each other all the time.
It is that happy stretch of time when the lovers set to chronicling their passion. When no glance, no tone of voice is so fleeting but it shines with significance. When each moment, each perception is brought out with care, unfolded like a precious gem from its layers of the softest tissue paper and laid in front of the beloved — turned this way and that, examined, considered.
Nothing is stranger or more ticklish than a relationship between people who know each other only by sight, who meet and observe each other daily - no hourly - and are nevertheless compelled to keep up the pose of an indifferent stranger, neither greeting nor addressing each other, whether out of etiquette or their own whim.
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