A Quote by Claude-Michel Schonberg

Musical theater must adapt to the fact that music is done by people. The new generation will do something different. That is great! That is good. — © Claude-Michel Schonberg
Musical theater must adapt to the fact that music is done by people. The new generation will do something different. That is great! That is good.
I'm trying to bring a new generation into the musical theater and to create a new audience.
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
We'll have a different set of values, and society will adapt. That doesn't mean these changes are all good, just because we will accept them. But the 'Chicken Little' view of history isn't correct. Changes take place gradually, and people and institutions adapt.
I was able to learn a new language - a new musical language is learning a new language, because it's so extremely different from Western classical music. African music is completely different.
American Odyssey' will be an amazing adventure inside the musical walls of our cities. It's theater, and radio has always been great theater to me.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
Often in evolutionary processes a species must adapt to new conditions in order to survive. Today the atomic bomb has altered profoundly the nature of the world as we know it, and the human race consequently finds itself in a new habitat to which it must adapt its thinking.
There is no nation on the planet better able to adapt to this change than our nation. We must able to work collaboratively with others. We must anticipate these threats before they happen. This is the new sort of challenge, the new sort of threat that does, in fact, require new thinking, fresh approaches and new leadership.
I definitely don't have a music industry goal because I've done that and completed that work. My quest is to find new platforms for music to live. Once we do that and find different ways of getting music to people, whether that's 5000 or 1 million people, I'll feel successful. I want to make sure I'm adding something to the marketplace, so that's my goal.
We set sail on this new sea because there is new knowledge to be gained, and new rights to be won, and they must be won and used for the progress of all people. For space science, like nuclear science and technology, has no conscience of its own. Whether it will become a force for good or ill depends on man, and only if the United States occupies a position of preeminence can we help decide whether this new ocean will be a sea of peace or a new terrifying theater of war.
When my father is happy with my music, I know I have done something good, and there is no question of generation gap.
When I'm in the city, I like to go to different events and get introduced to different people. That's what New York is all about. There is great diversity, and there are people from all over the world who have done amazing things. That's my favorite thing to do: meet new people.
I've done music as a hobby, either in musical theater or just jamming with friends, pretty much for as long as I can remember.
Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.
When you call someone and ask them to do something they've never done before, in different mediums I think they would be inclined to pass because they're afraid of the risk. But the creative people who populate the theater world love the challenge of new things.
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