A Quote by Claude Monet

Techniques vary, art stays the same; it is a transposition of nature at once forceful and sensitive. — © Claude Monet
Techniques vary, art stays the same; it is a transposition of nature at once forceful and sensitive.
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature.
Human nature stays the same, the one thing that stays constant, like death and taxes. And people still want good stories!
Everyone goes to the same exhibitions and the same parties, stays in the same handful of hotels, eats at the same no-star restaurants, and has almost the same opinions. I adore the art world, but this is copycat behavior in a sphere that prides itself on independent thinking.
The light for drawing from nature should come from the North in order that it may not vary. And if you have it from the South, keep the window screened with cloth, so that with the sun shining the whole day the light may not vary. The height of the light so arranged as that every object shall cast a shadow on the ground of the same length as itself.
Our bodies are at once the receiving and transmitting stations for life itself. It is the highest wisdom to recognize this fact and train our bodies to render them sensitive and responsive to nature, art and religion.
Our bodies are at once the receiving and transmitting stations for life itself. It is the highest wisdom to recognize this fact and train our bodies to render them sensitive and responsive to nature. art and religion.
Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less!
The transposition that a painter makes with an original vision gives to the representation of nature a new interest.
With manga, in my art style, I don't do much in the way of techniques to create depth. But even though I don't do depth techniques through my art, I am conscious of depth itself.
Having lasted for 4,000 years, the use of nature's materials to express ideas about nature may be expected to continue. The best garden designs are produced with an awareness of the art, science, history, geography, philosophy, social habits and construction techniques of their period.
First follow Nature, and your judgment frame By her just standard, which is still the same: Unerring nature, still divinely bright, One clear, unchanged, and universal light, Life, force, and beauty must to all impart, At once the source, and end, and test of art.
Is it not a rather fantastic historical irony that the torture techniques that the North Vietnamese used against McCain that forced him to offer a videotaped false confession are now the techniques the Bush administration is using to gain "intelligence" about terror networks. How is it possible to know that everything John McCain once said on videotape for the enemy was false, because it was coerced, and yet assert that everything we torture out of terror suspects using exactly the same techniques is true?
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. It's not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time.
You must be aware that most men (and also not only a few women) are by nature not monogamous. This nature makes itself even more forceful when tradition and circumstance stand in an individual's way.
No art can be grafted with success on another art. For though they all profess the same origin, and to proceed from the same stock, yet each has its own peculiar modes both of imitating nature and of deviating from it... The deviation, more especially, will not bear transplantation to another soil.
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