A Quote by Claude Monet
One can do something if one can see and understand it.
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To understand something, whether we are aware of it or not, depends on choosing a model. We get to understand what we see by comparing it with something else, something that we think we understand better. But what we compare it with turns out to have a huge influence on the outcome.
I look at Facebook a fair bit. I see what's posted. I see the travesties and illegalities of what police forces do. And I also see and understand that it is sanctioned by the general public - or we would do something.
I think more to the point, these pivotal times means something other than a politician. I understand the economy. I understand the world. I have a lot of foreign policy experience. I understand bureaucracies. I understand technology, and I understand leadership.
I see how people look at me, all around the world. They see something because of the race I belong to. I have to understand that and put it into my music.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
From somewhere, back in my youth, heard Prof say, 'Manuel, when faced with a problem you do not understand, do any part of it you do understand, then look at it again.' He had been teaching me something he himself did not understand very well—something in math—but had taught me something far more important, a basic principle.
If you see something you don't understand, smash it.
Glee is only one example - there are a lot of shows, adult shows online. I just don't understand why we've decided that we want to throw everything we can out there on the Internet, I don't know how it helps us. I think being exclusive, that you can only see something on CBS, you can only see something on ABC, is a good thing.
It's a mysterious thing that a whole generation of young people can come up and see and understand things that previous generations weren't able to see or understand.
I always write to understand my place in the world. I can see myself and my life unfold on the page, and I can understand my strengths, my weaknesses - I can see where I need to step up a bit.
I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say ... something that everyone knows already in words that nobody can understand.
Commenting to him about the poetry J. Robert Oppenheimer wrote.
The next level, by definition, is something you can't see and you can't understand.
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
I see no point in exchanging something that I understand, know, love and think will have a great future for something else that I know much less about.
I'm naturally attracted to something I don't understand because when you try to deal with something you don't understand, it opens a door into another world.
As a professional photographer I take photographs for other people to see - but I want them to see what I see. So I never assume that only a few people will appreciate what I do. At all times, the public should be able to understand what I've done, even if they don't understand how I've done it.
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