A Quote by Claude Monet

I despise the opinion of the press and the so-called critics. — © Claude Monet
I despise the opinion of the press and the so-called critics.
the heaviest restriction upon the freedom of public opinion is not the official censorship of the Press, but the unofficial censorship by a Press which exists not so much to express opinion as to manufacture it.
If we keep on talking about masculine and feminine and following those stereotypes, then we will make women suppress and despise their so called masculine qualities and men suppress and despise their so called feminine ones, and that's where all the trouble starts.
Never to despise in myself what I have been taught to despise. Nor to despise the other. Not to despise the it. To make this relation with the it: to know that I am it.
There used to be that you only had four or five critics that you would look to for intelligent conversation, but now there are millions of people who can just press 'send,' and everyone's got an opinion even if no one cares what they say. It makes things a little bit tougher.
In the world of opinion writing, there's something called the 'to be sure' paragraph. A sort of rhetorical antibiotic, it seeks to defend against critics by injecting a tiny bit of counter-argument before moving on with the main point.
To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
Because I was the first super-elite, the press caught on and started calling me a supermodel. So in that sense, I guess I'm the first. But, in my opinion, there were girls that could have been called supermodels before that, if the term was in existence.
If the press really thinks Obama is Lincoln, they ought to treat him like they treated Bush, 'cause that's how they treated Lincoln. His critics compared Lincoln to an ape; they called him an illiterate baboon.
I used to get great press. I get the worst press. I get such dishonest reporting with the media. I've never had anything like it before. It happened during the primaries, and I said, you know, when I won, I said, "Well the one thing good is now I'll get good press." And it got worse. So that was one thing that a little bit of a surprise to me. I thought the press would become better, and it actually, in my opinion, got more nasty.
There isn't what my father called the cruising hostility of the English press - where they're looking around for something to attack. You don't feel that there's a great reservoir of resentment in the press as you do in England.
Always take responsibility for your past. It is your only collateral in life. Unless you despise yourself now, you cannot despise yourself then. Everything you did is a part of the process that brought you here. All your past is as alive and real as your so-called 'present.'
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
Appetite, with an opinion of attaining, is called hope; the same, without such opinion, despair.
It is a melancholy experience for a professional mathematician to find himself writing about mathematics. The function of a mathematician is to do something, to prove new theorems, to add to mathematics, and not to talk about what he or other mathematicians have done. Statesmen despise publicists, painters despise art-critics, and physiologists, physicists, or mathematicians have usually similar feelings: there is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds.
There is also something called the Legislature. There is something called the press. There is something called people. These are all different players on the stage.
I am in the interesting position of being sometimes skimmed by the critics and called literature and sometimes called historical fiction.
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