A Quote by Claude Monet

I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible. — © Claude Monet
I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible.
I want the unobtainable. Other artists paint a bridge, a house, a boat, and that's the end. They are finished. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.
On the 1st of August, 1774, I endeavoured to extract air from mercurius calcinates per se [mercury oxide]; and I presently found that, by means of this lens, air was expelled from it very readily. … I admitted water to it [the extracted air], and found that it was not imbibed by it. But what surprized me more than I can well express, was, that a candle burned in this air with a remarkably vigorous flame… I was utterly at a loss how to account for it.
Nicholas Temelcoff is famous on the bridge, a daredevil. He is given all the difficult jobs and he takes them. He descends into the air with no fear. He is a solitary. He assembles ropes, brushes the tackle and pulley at his waist, and falls off the bridge like a diver over the edge of a boat.
The first time I flew, it was being alive. Nothing was pressing under me. I was living in the fullness of air; air all around me, no holding place to break the air spaces. It's worth everything to be alone in the air, alive.
[The doctrine of air] I was led into in consequence of inhabiting a house adjoining to a public brewery, where I at first amused myself with making experiments on the fixed air [carbon dioxide] which I found ready made in the process of fermentation . When I removed from that house I was under the necessity of making the fixed air for myself; and one experiment leading to another, as I have distinctly and faithfully noted in my various publications on the subject, I by degrees contrived a convenient apparatus for the purpose, but of the cheapest kind.
I would rather dwell in the dim fog of superstition than in air rarefied to nothing by the air-pump of unbelief-in which the panting breast expires, vainly and convulsively gasping for breath.
The voice is a human sound which nothing inanimate can perfectly imitate. It has an authority and an insinuating property which writing lacks. It is not merely so much air, but air modulated and impregnated with life.
That there is a Spring, or Elastical power in the Air we live in. By which ?????? [elater] or Spring of the Air, that which I mean is this: That our Air either consists of, or at least abounds with, parts of such a nature, that in case they be bent or compress'd by the weight of the incumbent part of the Atmosphere, or by any other Body, they do endeavour, as much as in them lies, to free themselves from that pressure, by bearing against the contiguous Bodies that keep them bent.
Through the years of experience I have found that air offers less resistance than dirt.
Through years of experience I have found that air offers less resistance than dirt.
I know that our bodies were made to thrive only in pure air, and the scenes in which pure air is found.
That idea is so damned nonsensical and impossible that I'm willing to stand on the bridge of a battleship while that nitwit tries to hit if from the air.
I had no need of sails to drive me, nor oars nor wheels to push me, nor rails to give me a faster road. Air is what I wanted, that was all. Air surrounds me as water surrounds the submarine boat, and in it my propellers act like the screws of a steamer. That is how I solved the problem of aviation. That is what a balloon will never do, nor will any machine that is lighter than air.
The water is clearer than the air, and the air is the air that angels breathe.
Grace in women has more effect than beauty. We sometimes see a certain fine self-possession, an habitual voluptuousness of character, which reposes on its own sensations and derives pleasure from all around it, that is more irresistible than any other attraction. There is an air of languid enjoyment in such persons, "in their eyes, in their arms, and their hands, and their face," which robs us of ourselves, and draws us by a secret sympathy towards them.
If we do have people appearing on the air live that are later found out to be Holocaust deniers or anything like that, we immediately put them onto a list of people who are forbidden from the air.
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