A Quote by Claude Monet

It seems to me that when I see nature I see it ready-made, completely written - but then, try to do it! — © Claude Monet
It seems to me that when I see nature I see it ready-made, completely written - but then, try to do it!
I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
When I'm unable to see a mistake I made right away. Maybe this is my Taurus mentality, but sometimes I don't see it and I don't see it and then, before you know it, I finally see it, and I'm like, "How the hell did I not see that? It was right in front of me all this time." And I have to look at the wake I left behind, the disappointment. That makes me feel weak.
I'm not an idiot; I try not to look, but I see what people say about me on Facebook. I see other things written. But I don't care.
I've made tons of mistakes over the past years, but if there's anything I've done well, if I see an opportunity, or if I see God moving or going in a direction or opening a door for me, I try to take it; I try not to hesitate.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
I feel like when the public, when the fans are ready to see me fight for the title, whoever they want to see me fight, then that's what I need to do cause that's my job.
At least this is the way I see it. I am a physicist. I also consider myself a Christian. As I try to understand the nature of our universe in these two modes of thinking, I see many commonalities and crossovers between science and religion. It seems logical that in the long run the two will even converge.
When you see a knife, fork and a spoon it seems to me like there are two of them together on one side of a plate, and then there's one on the other. It seems like a couple and a singleton. It seems obvious to me!
You see nature and then you try to emulate it.
Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.
I know there is a God - I see the storm coming and I see his hand in it - if he has a place then I am ready - we see the hand.
...I came to realize that God never shows us something we aren't ready to understand. Instead, He lets us see what we need to see, when we need to see it. He'll wait until our eyes and hearts are open to Him, and then when we're ready. He will plant our feet on the path that's best for us. . . but it's up to us to do the walking.
How do you top 'Mormon?' I get sent scripts all the time and I don't know what I would do next. What do you do after that? So I think if you do see me onstage, you'll see me in something dramatic, maybe, or you'll see me try my hand at something else. Perhaps fail, terribly, but try.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
You have made me ashamed of the wasted years. You have made me acknowledge that no darkness has ever been deep enough to extinguish my personal knowledge of love. And all around me in this world I see evidence of love. I see love. I see it in the human struggle. I see its undeniable penetration in all that humans have accomplished in their poetry, their painting, their music, their love of one another and refusal to accept suffering as their lot.
Lie beside me. Let me see the division of your pores. Let me see the web of scars made by your family's claws and you their furniture. Let me see the wounds that they denied. The battle ground of family life that has been your body. Let me see the bruised red lines that signal their encampment. Let me see the routed place where they are gone. Lie beside me and let the seeing be healing. No need to hide. No need for either darkness or light. Let me see you as you are.
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