A Quote by Claude Monet
Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.
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Color is my day-long obsession, joy and torment.
Woman has so long been subject to the disabilities and restrictions with which her progress has been embarrassed that she has become enervated, her mind to some extent paralyzed; and like those still more degraded by personal bondage she hugs her chains.
Sharp knives seemed to cut her delicate feet, yet she hardly felt them, so deep was the pain in her heart. She could not forget that this was the last night she would ever see the one for whom she had left her home and family, had given up her beautiful voice, and had day by day endured unending torment, of which he knew nothing at all. An eternal night awaited her.
If anyone should want to know my name, I am called Leah. And I spend all my time weaving garlands of flowers with my fair hands, t o please me when I stand before the mirror; my sister Rachel sits all the day long before her own, and never moves away. She loves to contemplate her lovely eyes; I love to use my hands to adorn myself: her joy is in reflection, mine in act.
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
I once heard a woman who had lost her dog say that she felt as though a color were suddenly missing from her world: the dog had introduced to her field of vision some previously unavailable hue and without a dog, that color was gone. That seemed to capture the experience of loving a dog with eminent simplicity. I'd amend it only slightly and say that if we are open to what they have to give, dogs can introduce us to several colors with names like wildness, nurturance, trust and joy.
To die, is to be banish'd from myself; And Silvia is myself: banish'd from her, Is self from self: a deadly banishment! What light is light, if Silvia be not seen? What joy is joy, if Silvia be not by? Unless it be to think that she is by, And feed upon the shadow of perfection. Except I be by Silvia in the night, There is no music in the nightingale; Unless I look on Silvia in the day, There is no day for me to look upon; She is my essence, and I leave to be, If I be not by her fair influence Foster'd, illumin'd, cherish'd, kept alive.
Day after day I read Freud, thinking myself to be very enlightened and scientific when, as a matter of fact, I was about as scientific as an old woman secretly poring over books about occultism, trying to tell her own fortune, and learning how to dope out the future form the lines in the palm of her hand. I don't know if I ever got very close to needing a padded cell: but if I ever had gone crazy, I think psychoanalysis would have been the one thing chiefly responsible for it.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
Father, One day, a woman walked into my life. I hurt her deeply with the harshest words possible. I pushed her away as much as I could. But, she still came back to me. She is so much like me; I look at myself often when I look at her. She has the physical wounds that I have. The tears that fill my brain are flowing through her heart as well. I gave her those wounds. I made her cry. I should not have met her. I should not have allowed her to come into the life of a guy like me. Father, I'm regretting it. This is the first time... that I have ever regretted anything in my life.
In giving our daughter life, her father and I had also given her death, something I hadn't realized until that new creature flailed her arms in what was now infinite space. We had given her disease and speeding cars and flying cornices: once out of the fortress that had been myself, she would never be safe again ... We disappoint our kids and they disappoint us, and sometimes they grow up into people we don't like very much. We go on loving, though what we love may be more memory than actuality. And until the day we die we fear the phone that rings in the middle of the night.
I dug myself a garden, and a stray cat I grew to like would come around to sulk in the corn. I forced myself to seek new love, and for a while, I thought I'd found it with a girl from my office. She was molten in my bed, but she also suffered depressions that were very dear to her. She would often call just to sigh at me for two hours on the phone, wanting me to applaud her depth of feeling. I cut if off, then missed her, wishing that I'd at least had the sense to take her naked photograph.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
There's no effrontery like that of a woman caught in the act; her very guilt inspires her with wrath and insolence.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
Alice Malloy had dark, stringy hair, and even her husband, who loved her more than he knew, was sometimes reminded by her lean face of a tenement doorway on a rainy day, for her countenance was long, vacant, and weakly lighted, a passage for the gentle transports and miseries of the poor.
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