A Quote by Claude Monet
The creditors are proving impossible to deal with and short of a sudden appearance on the scene of wealthy art patrons, we are going to be turned out of this dear little house where I led a simple life and was able to work so well. I do not know what will become of us.
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When I knew I was going to be able to write full time, I wondered, "What's going to happen to the relationships within my family?" Are they going to change? Is it going to be the kind of deal where you say, "I can't take this! Get me out of here! I can't stand these screaming kids!" The way it turned out was, I was able to change the diapers okay, after I stuck the pin through my fingers a few times. I had a dawning realization that children are not particularly hard to deal with.
How did scientists get money in the past? They were either lucky and independently wealthy, like Darwin, or they had patrons, like Galileo. Universities or governments have become patrons only in the last few generations. Many of the great scientists of the past were in debt to their patrons in the same sense that modern scientists are influenced by what their granting agencies want.
[It] is impossible for us to establish a living vital connection with the masses unless we will work for them, through them and in their midst, not as their patrons but as their servants.
The rules of the track work well for life. Roller derby is life in a tiny circle. You can only go forward, even if you find yourself turned around, facing the wrong way. There's speed, unpredictability, and danger. You can't be sure what's going to happen, you don't always know when you'll stop, and it appears most people are out to get you. You will fall. You will get hurt. But you will get up again.
What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?
My deal is have a flat, simple tax. And - Americans want - Americans I hope - aspire to be - be wealthy. I hope they aspire to have a better quality of life. And we have this class warfare that's going on now. And I don't agree with that. I'm interested in people getting to work.
We tend to look at successful athletes and make them almost bigger than life. I have seen many young men who have achieved greatness. I have also seen those who have come up a little short of their potential. I do know that those who succeed have been able to recognize within themselves the potential to do something well and then work hard to prepare themselves for that eventual opportunity. Others wait for the opportunity to come and then start to work, thus coming up a little short.
I've lived so little that I tend to imagine I'm not going to die; it seems improbable that human existence can be reduced to so little; one imagines, in spite of oneself, that sooner or later something is bound to happen. A big mistake. A life can just as well be both empty and short. The days slip by indifferently, leaving neither trace nor memory; and then all of a sudden they stop.
I'm happy to be making my first appearance on air professionally. By that I mean I'm finally getting paid, which I know will be a great relief to my creditors.
What the banking system needs is creditors who monitor risk and cut their exposure when that risk is too high. Unlike regulators, creditors and counterparties know the details of a deal and have their own money on the line.
There is some other form that you contain within yourself that is not will or purpose and, when applied to art, serves you best. If you systematically apply to the art that you create the aggression of the world that turned you towards art in the first place; if you, in turn, become the aggressor towards your canvas, the thing that you're doing; if you, in turn, work your will upon this thing that you want - you will then cause a dissatisfaction in this life that you create.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done. It's pretty simple really. I just dive in and start digging. Yes, I'm fortunate to know the in's and out's of a true studio-level marketing campaign. But really, anyone who is diligent and well-researched can pull it off too. Its easier for me, but it doesn't make it impossible for others.
Real art is basic emotion. If a scene is handled with simplicity - and I don't mean simple - it'll be good, and the public will know it.
I'll get rid of the drug problem. The first drug dealer will be publicly executed in front of everybody and all of the sudden the rest of the drug dealers are going to go "Uh oh!" Watch how fast the drug problem disappears. If you use drugs, you're addicted and you steal something, you'll get sent off to the outback and to work camps and all of the sudden no drug addicts. See how simple that is? So simple.
I gotta admit, when you've been doing this a long time, going out to the audience and asking for them to help out with crowdfunding, it's a gut check. You never know how that's gonna turn out. Luckily for us, it turned out well.
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