A Quote by Claude Monet

I have made tremendous efforts to work in a darker register and express the sinister and tragic quality of the place, given my natural tendency to work in light and pale tones.
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
But I must work on in full calmness and serenity... The world concerns me only in so far as I feel a certain debt and duty towards it, because I have walked on the earth for thirty years, and out of gratitude want to leave some souvenir in the shape of drawings or pictures, not made to please a certain tendency in art, but to express a sincere human feeling. So this work is the aim-and through concentration upon that one idea, everything one does is simplified. Now the work goes slowly-a reason the more to lose no time.
To express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of Kindred tones. To express the thought of a brow by the radiance of light tone against a somber background; to express hope by some star, the eagerness of a soul by a sunset radiance.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
I've made a lot of progress. As a man, mentally, but also physically. And tactically, too. That's a given with a manager like Antonio Conte. He likes you to work, work, work. Every day.
I'm always surprised to hear or read my work described, "In angry tones, she says." No! In truthful tones! Does truth have a tone? I don't know.
When you don't get a certain quality of work, you end up doing lesser quality of work because there's no work. I'm a professional actor, I have bills to pay so I end up taking work which ideally I wouldn't have.
I love earth tones, jewel tones and everything that is natural. I also like natural materials like cottons, silks... I don't like synthetic. Even the wood we use has to be authentic.
There is a tendency in my work toward minimalism, in terms of stripping away the unnecessary. I am seeking a tightly ordered gestalt, usually. I've always felt a strong affinity towards Mondrian's work. I understand the importance of those subtle planar and linear modulations he made in the course of building up the incredible visual tension in his work.
There's a tremendous amount of work building the apparatus, getting the experiment to work. But sitting there late at night in the lab, and knowing light is going at bicycle speed, and that nobody in the history of mankind has ever been here before - that is mind-boggling. It's worth everything.
Theres a tremendous amount of work building the apparatus, getting the experiment to work. But sitting there late at night in the lab, and knowing light is going at bicycle speed, and that nobody in the history of mankind has ever been here before - that is mind-boggling. Its worth everything.
I have decided not to run for the U.S. Senate and instead continue my efforts to make California a better place to live, work, and raise a family. We have come a long way, but our work is not done, and neither am I.
There's a lot of great stuff on television and that's very appealing to actors who want to work, who do good quality and high quality work. But you're always concerned that the time demands on television will interrupt or interfere with your film work.
I can't say enough about the tremendous work the Missouri National Guard has done as part of our military efforts in Afghanistan, Iraq and other countries.
Our efforts to counter hatred, intolerance, and indifference must continue simultaneously at individual and structural levels. We must try to influence for good the minds and hearts of individual people through dialogue and confidence building. These efforts must be reinforced by our efforts to create just structures in society to support the ongoing work of negotiations in the human community. Only then will we have a chance to negate the terrible consequences of the tremendous conflicts facing humankind today.
As a director, you're given a tremendous apparatus to work with, and very great talents are available to you.
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