A Quote by Claude Monet
It goes without saying that I will do anything at any price to pull myself out of a situation like this [rejection] so that I can start work immediately on my next Salon picture and ensure that such a thing should not happen again.
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You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
I always have a picture in my head of what I want. I will literally do anything to make it happen. I will kill myself; I will run myself into the ground to make it happen how I want it to happen.
Anxiety is so pervasive in my work, it's like it's not even a thing because it's always there. Like air. I have to work through a layer of anxiety to get to anything else. It's embarrassing to me when people point out to me all the anxiety I portray in my work. I don't ever want to write about anxiety again but it'd be like leaving a huge gap in the picture.
Any day we wish we can discipline ourselves to change it all. Any day we wish; we can open the book that will open our mind to new knowledge. Any day we wish; we can start a new activity. Any day we wish; we can start the process of life change. We can do it immediately, or next week, or next month, or next year.
That's the thing that always stuck out to me - the idea that quantity becomes quality. I always took it to mean if you do anything enough, if you keep putting effort in, eventually something will happen, with or without you. You don't have to have faith when you start out, you just have to dedicate yourself to practice as if you have it.
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
You should always be prepared to win. But as much as I tell myself that, I've accepted another kind of role. Racism undercuts expectation, something like that. I'm not saying that to excuse myself from anything, but I've lived all this time, and things don't happen.
For many, many years, I was always whipping up things in order to keep myself busy and moving ever forward and saying, 'What's next? What's next? What's next?' I like the equanimity that comes with my age. I don't have big highs, and I don't have big lows. Even if this job goes away tomorrow, the nonstop ambition is a thing of the past for me. I've mellowed
I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.
I have an oscillating fan at my house. It goes back and forth. It looks like the fan is saying "no." So I like to ask it questions that a fan would say "no" to! Do you keep my hair in place? Do you keep my documents in order? Do you have 3 settings? LIAR! My fan lied to me. Now I will pull the pin up. Now you're not saying ANYTHING!
Everything has its price - and if that price is not paid, not that thing but something else is obtained... it is impossible to get anything without this price.
Saying, have a great work-out is like saying, I hope you pull something.
What we collectively decide about how to bail out our economy, how to pull our economy out of a ditch and what rules we put in place to make sure this problem does not happen again, will shape our country for the next 50 years. This is it.
I would roll out of bed and immediately start working, and keep working until it was so late at night that I couldn't stay awake anymore. Then I'd go to sleep and wake up the next morning and do the same thing all over again. I did that every day for three years.
Some socialist movements in Egypt, Tunisia and Bahrain, for instance, were genuine. I was making films about the so-called Arab Spring, and I'm well aware of how complex the situation really was. But it goes without saying is that the West immediately infiltrated and 'derailed' the revolutions, turning them into what you have described.
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