A Quote by Claude Nicollier

My name was on the list very early after these announcements were made through the newspapers in Europe. — © Claude Nicollier
My name was on the list very early after these announcements were made through the newspapers in Europe.
The early years of my life were very, very traumatic. It was scary, because any child knew that death was sort of lurking around Europe as far as Jews were concerned.
You always worry about films when you hear about them making decisions after announcements are made.
If you go through the list of things that are not possible you're left with a very finite amount of possibilities. The fancy name for this is constraint theory. It's a nonquantitative model, but it's a field of mathematics.
I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
I made my way on to a grey list, a black list even. That's something I'm very proud of, actually.
German writings attain popularity through a great name, or through personalities, or through good connections, or through effort,or through moderate immorality, or through accomplished incomprehensibility, or through harmonious platitude, or through versatile boredom, or through constant striving after the absolute.
I made a list of the happiest periods in my life, and I realized that none of them involved money. I realized that building stuff and being creative and inventive made me happy. Connecting with a friend and talking through the entire night until the sun rose made me happy. Trick-or-treating in middle school with a group of my closest friends made me happy. Eating a baked potato after a swim meet made me happy. Pickles made me happy.
I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one's clothes off all the more difficult.
Once, after a long week, I felt so insecure that I decided to make a list of people who thought I was funny even if I didn't think I was. At the top of the list, I wrote, 'Garry Shandling.' His early praise protected me like a comedy-writer version of Harry Potter's scar.
Give death announcements each time you move instead of giving announcements of the change of address. Send the same when you die.
When I die there may be a paragraph or two in the newspapers. My name will linger in the British Museum Reading Room catalogue for a space at the head of a long list of books for which no one will ever ask.
I write early in the morning, usually after reading portions of at least half a dozen newspapers on the web.
The most beautiful moments of my career were under Manuel Pellegrini in Malaga, where we achieved big things and we made Malaga's name known around Europe.
The early 2000s for me were a very emotional time, politically. I'd been through Reagan and been through first Bush and Clinton, and it's not like I had an easy time through those years. But I just thought it was particularly rough. I have to say the World Trade Center attack was very weird for me. The events that followed were worse. It was a really long swath of time.
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