A Quote by Claudette Colvin

I wanted the young African-American girls also on the bus to know that they had a right to be there, because they had paid their fare just like the white passengers. — © Claudette Colvin
I wanted the young African-American girls also on the bus to know that they had a right to be there, because they had paid their fare just like the white passengers.
I have been refused entrance on the buses because I would not pay my fare at the front and go around to the rear door to enter. That was the custom if the bus was crowded up to the point where the white passengers would start occupying.
I don't regret the fervor, because I do believe, in the African American community but also for other communities, and I know from talking to people, for communities around the world, the election of an African American to the most powerful office on Earth meant things had changed, and not just in superficial ways. That in some irreversible way the world was different.
In the early 1970s in Atlanta, I attended what had formerly been an all-white school but had become a black school after integration and white flight. Perhaps because of this, the teachers created a curriculum that included a focus on African American literature and history year-round, not just in February.
I think people always want to hear that there are barriers that exist for us. But the more I started to realize artists that are kind of like me in my lane, like, if they were white or African-American, they often had trouble because it wasn't the quality of their music: they just didn't stick out.
When my kids were young, we used to go to a place called The Shrine of the Black Madonna in Houston. It was an African-American bookstore where they sold paintings, but they also had a room that was an all-purpose center. If you wanted to have a dance recital or anything that was related to the community activities, you could have it there.
There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.
If I had killed somebody, it wouldn't have had so much appeal to the press, you see? But f-ing, you see, and the young girls. Judges want to f- young girls. Juries want to f- young girls. Everyone wants to f- young girls!
I don't like to do press. But I know sometimes I need to do it because every time I do there's young people - black and white, but I think about young African-Americans because that's the experience I grew up with - who hear it.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
The young man who, at the end of September, 1924, dismounted from a taxicab in South Square, Westminster, was so unobtrusively American that his driver had some hesitation in asking for double his fare. The young man had no hesitation in refusing it.
There are a lot of young black girls who I meet in my travels who don't have a lot of self-esteem. So if I communicate to them that they're beautiful, no white person should find fault in that. It doesn't mean that young white girls aren't beautiful, because they are just as beautiful.
I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.
You know what the lowest rated episode we ever had was? Where Captain Kirk kissed Uhuru - a white man kissing an African-American woman. All the stations in the American South - in Georgia, Alabama, Mississippi, Louisiana - refused to air it. And so our ratings plummeted.
I didn't mind being in a school with a small African-American population. The African-American-community was very tight, and that was great. But I also wanted to interact with other types of folks.
I had a fascination with the roots of African American music. That would have been my first education in music. I had a real passion for it. I wanted to play it, sing it. I could sing at a young age, but I started to teach myself bass guitar and started writing when I was 15.
I think there are white alumni out there who wouldn't mind having an African American president of their school, but would be reluctant to have an African American coach, because he represents the school so. I think it's just sheer backward racism.
This site uses cookies to ensure you get the best experience. More info...
Got it!