A Quote by Claudia Cardinale
But to do this kind of work, you have to be very strong, otherwise you lose your personality, your identity.
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Style, to me, is an extension of one's personality, a kind of self expression which is very personal. It is an expression of your moods, your personality.
It's very hard to win without any problems. To win, you have to fight. And many times, this fight means to indispose in certain ways with some people, to prevail your beliefs. Your point of view, your ideas and your personality above everything. If you don`t fight hard, you lose your own way. And if you lose your own way, you`re nobody. So, to achieve this line of conduct, you have to fight very hard. And in many times, you really have to fight.
Until your personality has exhausted its obsession with running the show, your soul isn’t given the space to express itself. Your personality can be threatened by your soul, because your personality has controlled your life for a long time and doesn’t want to give up control. Your personality is like a wild horse that tries to throw off the rider trying to tame it. The rider is your soul.
You lose your home, you are much more likely to lose your job the year following. The reason for that comes back to the bandwidth problem: You're so focused on this event that you're making mistakes at work; you can relocate further from work, which can increase your tardiness and absenteeism and cause you to lose your job.
Please open your eyes now, but keep attention in the inner energy field of the body as you look around the room. The inner body lies at the threshold between your form identity and your essence identity, your true nature. Never lose touch with it.
It all starts off on the field. In any sport, that's how you catch people's attention. From there, you kinda show your fans, your following, what kind of person you are and your personality. I let the field work do its work.
When you find your authentic self, your identity - your true identity - how many people work a job they hate or live a life, they're going oh my gosh.
Who you are, where you've been and what you've done is all up here, captured and preserved in your memories. If you lost that - the story of your own origins - you'd lose your identity, your sense of self.
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
You can lose your weight, but you can't lose your personality. And people's personalities don't change.
I would say you've got to find your identity in God - in God alone - because everything else is a false sense of identity. He's the one who made you, he's your designer and your work and your value is found in him and not in anything or anyone else.
The brain is behind the really big questions we have. Who am I, what is my identity? What is that based on? If memories are encoded in connectomes, your personality might be in your connectome. If that's the case, that's the basis of your uniqueness as a person.
It's important for me to not historicize. I work to diffuse the issue of identity and to intensify identification. You have to lose your authority in the making of a film to achieve this. The film is about me being absolutely dislocated. I focus on the very personal to arrive at the very political.
Relationships take up energy; letting go of them, psychiatrists theorize, entails mental work. When you lose someone you were close to, you have to reassess your picture of the world and your place in it. The more your identity was wrapped up with the deceased, the more difficult the loss.
In the sacred fact of obligation you touch the immutable, and lay hold, as it were, on the eternities. At the very center of your being, there is a fixed element, and that of a kind or degree essentially sovereign. A standard is set up in your very thought, by which a great part of your questions are determined, and about which your otherwise random thoughts may settle into order and law.
I think what you have inside reflects very much in your face, in your expression. If you can find a kind of equilibrium in life, you never really get old, because you have that kind of ingenuity and innocence inside that gives you that brightness and that glint in your eye that generally, getting older, you lose.
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