A Quote by Claudia Jessie

After my audition for 'Bridgerton,' I put it out there to the universe, and I bought the book. I was like, 'Right. If I commit, then I'll get the job.' And it worked. — © Claudia Jessie
After my audition for 'Bridgerton,' I put it out there to the universe, and I bought the book. I was like, 'Right. If I commit, then I'll get the job.' And it worked.
My agent says, "You have an audition for the next Dustin Hoffman movie, playing a pioneer woman." And I go, "All right!" I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
Social class has worked for years. Born into the right family, go to the right schools, even if you're not super bright to start with, you'll turn out bright. You go to the right university, you get the right job, you have the right connections, you'll make it to the top. Job done, very efficient.
If it had anything to do with the PC or networking industry I was on top of it. I bought manuals. I read every book and magazine. Then I would get involved with industry conferences and put myself out there.
When I then went to Welling I had to think about the possibility of getting another job outside of football. If that hadn't worked out then I would probably have joined the family building firm, working as a ‘brickie’ or something like that. It is a big leap to be playing in the Champions League final - the biggest game of my career - but after what I've been through to get here, it holds no fears for me.
It's like with Smallville, I'm sure those creators didn't know I had done a ton of Star Trek work. I was just the right guy for the job. Do I gravitate towards it? You do what you are best suited to do, so in me being a comic book fan and a fan of genre from my father being in Mission: Impossible and the spy genre and all that, when I go to audition, perhaps I have a leg up because I understand the universe better.
Being sad and going out on terrible dates and having horrible breakups and then having a shitty job and then quitting the shitty job and then wondering if you shouldn't have quit the shitty job and then getting a new shitty job that you get fired off of after six weeks, it's all so good for your writing.
I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'
I had it in my head when I was in college that I wanted to be a writer, but it took me a long time to commit to being a writer. Up until then, I had worked one dead-end job after another while writing on the side.
I only worked on that one movie, but then quickly realized that the path of being an assistant director was not gonna get me to producing. It's a different path coming up through production management and then line producing. So I basically was in the position where I was going to take any job that felt creative, like the one I got, which was reading scripts and writing coverage. So even though I was taking a job where I was making less money than the job immediately prior, it seemed like the right thing for me.
If you put pressure on your kids to book every audition, they won't enjoy it anymore, and they won't book it, either. Also, if they don't want to go to an audition, they shouldn't be forced to go. They have to want to do it.
I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.
Louis Walsh, he made me audition for Girls Aloud, he said, 'If you don't, I won't speak to you again.' I was like, 'We don't speak that much anyway.' I went and it all worked out well, I wouldn't have gone to the audition if it wasn't for him.
My agent wanted me to audition for Dumbledore's character after Richard Harris died. I was asked if I would like to audition for it. But I wouldn't audition for it.
As Popa penetrates deeper into his life, with book after book, it begins to look like a Universe passing through a Universe. It is one of the most exciting things in modern poetry, to watch this journey being made.
I make it happen. Who bought Alex Haley's book 'Roots' for TV? Me. I hired the director, hired the writer. I put them all together. I'm like the chef. If I mix all the ingredients right, it's going to taste terrific. If I don't, it's not going to come out good.
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