A Quote by Claudia Kim

Nothing makes a girl feel more special than being adorned with some lovely Didier Dubot jewelry for the 'Avengers: Age of Ultron' premiere. — © Claudia Kim
Nothing makes a girl feel more special than being adorned with some lovely Didier Dubot jewelry for the 'Avengers: Age of Ultron' premiere.
I had a strong identity in mind but then of course I had to trust Didier Dubot's expertise. They've been doing jewelry for so many years.
I went to the Avengers: Age of Ultron and I'm like, "These guys are Olympians now." There's no place for a Walter Matthau in a movie anymore.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
I knew I was in good hands [with Didier Dubot] and we could accomplish whatever I had in mind.
There's, you know, there's an ideology behind Ultron that makes him more unique that just a bad guy. He doesn't wanna just kill the Avengers. He doesn't wanna just destroy the world. He has these monologues and these beautiful speeches that kind of embody a certain mentality about what's wrong with humanity.
They [Didier Dubot ] approached me to do a collaboration and I just couldn't say no because I really loved the collaborations they did before.
I always accessorize with jewelry. I am a bit of a magpie; I love sparkles, and so wearing jewelry makes me feel more exciting and confident, too!
The professor leaned forward. “But there’s nothing more profound than creating something out of nothing.” Her lovely face turned fierce. “Think about it Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing. Creating something from yourself.
Nothing makes an actor feel freer and more inventive and more creative than being trusted.
There's nothing more fun than putting on an old costume and jewelry and being in a house that's decorated from the '20s or '30s or whatever.
The wearing of costly array is directly opposite to being adorned with good works. Nothing can be more evident than this; for the more you lay out on your own apparel, the less you have left to clothe the naked, to feed the hungry, to lodge the stranger, to relieve those that are sick and in prison.
In a way, there's nothing more intimate than a piece of jewelry. A painting is hung on somebody's wall. You put a piece of furniture in your home. But jewelry is worn by a person, so there is a fascination with the history of a piece.
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
I think treating a model as nothing but a collection of tendons is done to lessen people's discomfort with the fact that they are looking at a naked person. They think it makes the audience and model more comfortable. But that was not the case when I modeled and I find that others agree. I feel that the sexual component is essential. I feel it is much more objectifying to be a table than a beautiful naked girl.
I remember watching the 'Iron Man' cartoons when I was younger. I remember reading the origin stories and some of the Silver Age stuff, and I read 'The Avengers' - 'The Defenders' and then 'The Avengers' - and that sort of brought me into 'Iron Man.'
I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful.
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