A Quote by Claudia Kim
I love Wes Anderson films, which are quirky and funny.
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I'm, like, the most insane Wes Anderson fan - his films are pretty much my inner landscapes. I just love him to pieces.
There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.
Wes Anderson's films, 6-year-olds are crazy about them.
What's nice about a lot of Wes Anderson's films is that there's a patience to it. I think that patience brings out a lot more funny things that you would miss otherwise if you just had to make quick cuts and keep the pace, whatever that pace is that bigger budget comedies have to have.
I want to work with Wes Anderson, Paul Thomas Anderson, the Coen Brothers, or Spike Jonze.
All of Wes Anderson's films are confections, memoirs created in cinematic snow globes, with the subtext that memory is the most extraordinary confection of all.
There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.
The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
I even think the commercial element of new American directors is really fertile right now. There are a lot of filmmakers with very particular visions, like Sofia Coppola and Wes Anderson and P.T. Anderson and Alexander Payne and Peter Sollett and Harmony Korine and Vincent Gallo. At least they're making films that they choose to make, and they're on their own. That's positive to me. This is not a dead period for American cinema at all.
There's no one type of film that I like watching. I loved 'Tropic Thunder' and the first 'Austin Powers,' and then 'The Godfather Parts I' and 'II,' 'There Will Be Blood,' Wes Anderson films.
My dream is to be a character in a Wes Anderson movie. I just love how interesting and eclectic and stylized his characters are, and I would love to dive into that world.
I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
I would love to wear, like, twee Wes Anderson suits everywhere and not get made fun of.
I would love to meet or work with Sofia Coppola. Or Wes Anderson or Spike Jonze. I'd love to meet them. The way they film, it's all so geometric.
I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.
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