A Quote by Claudia Lee

I know if I wasn't making music and acting, I would be involved in the performing arts world in some way. I would be either writing and making music for other artists or producing movies.
I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.
When I'm making my music, I'm writing it, I'm producing it, I'm playing all the instruments, I'm performing. It's my own world where I do what I feel, and nobody tells me anything.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts combined. Students are always asking me for advice, and I tell them that they have to be enthusiastic, because it's hard work. The only way to enjoy it is to be totally immersed. If you don't get involved on that level, it could be a very miserable job. I only have one regret about my career: I'm sorry that we are not making silent movies any more. That is the purest art form I can imagine.
I would love to be able to do both (acting and making music). If I look at someone like Sinatra, who toured until he was 80 and made 60 movies, that would be a great life to have.
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
Acting and making music are quite complementary. Acting relies on someone else's writing and direction; writing music or lyrics doesn't. But they are both creative and personal in completely different ways.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.
I keep making the music I do because I feel very purposeful about making things that would be helpful or quell some loneliness in people. I really needed that when I listened to music growing up and even now, so I don't mind that sense of duty.
If you love writing or making music or blogging or any sort of performing art, then do it. Do it with everything you've got. Just don't plan on using it as a shortcut to making a living.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
You know, I like playing music and playing guitar, and I like to draw, so I thought I would end up just probably barely making a living, or probably having to have some other job, but being involved in one of those things that I really like to do. But that didn't work out like that.
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